Book part: Georg Nees & Harold Cohen: Re:tracing the origins of digital media
dc.contributor.editor | Grau, Oliver | |
dc.contributor.editor | Hoth, Janina | |
dc.contributor.editor | Wandl-Vogt, Eveline | |
dc.creator | Nake, Frieder | |
dc.date.accessioned | 2020-02-17T10:50:54Z | |
dc.date.available | 2020-02-17T10:50:54Z | |
dc.date.issued | 2019 | |
dc.identifier.doi | 10.25969/mediarep/13340 | |
dc.identifier.uri | https://mediarep.org/handle/doc/14262 | |
dc.language | eng | |
dc.publisher | Edition Donau-Universität | |
dc.publisher.place | Krems a.d. Donau | |
dc.relation.isPartOf | isbn:978-3-903150-52-2 | |
dc.relation.isPartOf | doi:https://doi.org/10.25969/mediarep/13360 | |
dc.rights | Creative Commons Attribution 4.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0 | |
dc.subject | Digitale Kunst | de |
dc.subject | algorithmic art | en |
dc.subject | generative art | en |
dc.subject | semiotic machine | en |
dc.subject | AARON | en |
dc.subject | origins of digital media | en |
dc.subject.ddc | ddc:770 | |
dc.subject.person | Harold Cohen | |
dc.subject.person | Georg Nees | |
dc.title | Georg Nees & Harold Cohen: Re:tracing the origins of digital media | en |
dc.type | bookPart | |
dc.type.status | publishedVersion | |
dspace.entity.type | BookPart | en |
local.coverpage | 2021-05-29T01:08:52 | |
local.source.booktitle | Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities | |
local.source.epage | 48 | |
local.source.spage | 27 | |
local.subject.gnd | https://d-nb.info/gnd/122545087 | |
local.subject.gnd | https://d-nb.info/gnd/13180801X | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q92723 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q5535768 |
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