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The “anarchive” Series as a Challenge between Art and Information. A singular approach of media art history

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dc.contributor.editorGrau, Oliver
dc.contributor.editorHoth, Janina
dc.contributor.editorWandl-Vogt, Eveline
dc.creatorDuguet, Anne-Marie
dc.date.accessioned2020-02-17T10:50:57Z
dc.date.available2020-02-17T10:50:57Z
dc.date.issued2019
dc.description.abstractBased on examples from the anarchive series of digital monographs with artists such as Muntadas, Snow, Kuntzel, Otth, Nakaya, Fujihata and Campus, this presentation will discuss the incidence of digital technolo-gies on the ways we elaborate, think and practice art history today and more precisely the history of time-based works. Notions such as docu-ment and context, speed and connectivity, database and visualization, or augmented reality are at the core of these hybrid projects.en
dc.identifier.doi10.25969/mediarep/13344
dc.identifier.urihttps://mediarep.org/handle/doc/14266
dc.languageeng
dc.publisherEdition Donau-Universität
dc.publisher.placeKrems a.d. Donau
dc.relation.isPartOfisbn:978-3-903150-52-2
dc.relation.isPartOfdoi:https://doi.org/10.25969/mediarep/13360
dc.rightsCreative Commons Attribution 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/4.0
dc.subjectKunstgeschichtede
dc.subjectDigitale Kunstde
dc.subjectAnarchiveen
dc.subjecttime-based artworksen
dc.subjectmedia art historyen
dc.subject.ddcddc:770
dc.titleThe “anarchive” Series as a Challenge between Art and Information. A singular approach of media art historyen
dc.typebookPart
dc.type.statuspublishedVersion
dspace.entity.typeBookParten
local.coverpage2021-05-29T01:08:56
local.source.booktitleDigital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities
local.source.epage77
local.source.spage73

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