Book part:
Re-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema

dc.contributor.editorvan den Oever, Annie
dc.creatorHagener, Malte
dc.date.accessioned2020-04-24T14:51:30Z
dc.date.available2020-04-24T14:51:30Z
dc.date.issued2014
dc.identifier.doi10.25969/mediarep/13686
dc.identifier.urihttps://mediarep.org/handle/doc/14618
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfisbn:978-90-4851-990-3
dc.relation.isPartOfdoi:https://doi.org/10.26530/OAPEN_607770
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectAvantgardede
dc.subjectSowjetischer Filmde
dc.subjectFilmgeschichtede
dc.subjectMontage <Film>de
dc.subject.ddcddc:791
dc.subject.ddcddc:600
dc.titleRe-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinemaen
dc.typebookPart
dc.type.statuspublishedVersion
dspace.entity.typeBookParten
local.coverpage2021-05-29T01:04:19
local.source.booktitleTechnē/Technology. Researching Cinema and Media Technologies – Their Development, Use, and Impact
local.source.epage184
local.source.spage177
relation.isAuthorOfBookPart3486264b-8b91-47d6-a8d1-8fe9624956ef
relation.isAuthorOfBookPartf6d8412d-bacc-42a2-b375-abe547a779d4
relation.isAuthorOfBookPart.latestForDiscovery3486264b-8b91-47d6-a8d1-8fe9624956ef

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