Re-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema

Book part:
Re-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema

dc.contributor.editor	van den Oever, Annie
dc.creator	Hagener, Malte
dc.date.accessioned	2020-04-24T14:51:30Z
dc.date.available	2020-04-24T14:51:30Z
dc.date.issued	2014
dc.identifier.doi	10.25969/mediarep/13686
dc.identifier.uri	https://mediarep.org/handle/doc/14618
dc.language	eng
dc.publisher	Amsterdam University Press
dc.publisher.place	Amsterdam
dc.relation.isPartOf	isbn:978-90-4851-990-3
dc.relation.isPartOf	doi:https://doi.org/10.26530/OAPEN_607770
dc.rights	Creative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.uri	https://creativecommons.org/licenses/by-nc-nd/4.0
dc.subject	Avantgarde	de
dc.subject	Sowjetischer Film	de
dc.subject	Filmgeschichte	de
dc.subject	Montage <Film>	de
dc.subject.ddc	ddc:791
dc.subject.ddc	ddc:600
dc.title	Re-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema	en
dc.type	bookPart
dc.type.status	publishedVersion
dspace.entity.type	BookPart	en
local.coverpage	2021-05-29T01:04:19
local.source.booktitle	Technē/Technology. Researching Cinema and Media Technologies – Their Development, Use, and Impact
local.source.epage	184
local.source.spage	177
relation.isAuthorOfBookPart	3486264b-8b91-47d6-a8d1-8fe9624956ef
relation.isAuthorOfBookPart	f6d8412d-bacc-42a2-b375-abe547a779d4
relation.isAuthorOfBookPart.latestForDiscovery	3486264b-8b91-47d6-a8d1-8fe9624956ef

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