Miscellany:
Digital Tools in Media Studies. Analysis and Research. An Overview

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dc.contributor.editorRoss, Michael
dc.contributor.editorGrauer, Manfred
dc.contributor.editorFreisleben, Bernd
dc.date.accessioned2018-09-24T13:25:41Z
dc.date.available2018-09-24T13:25:41Z
dc.date.issued2009
dc.description.abstractDigital tools are increasingly used in media studies, opening up new perspectives for research and analysis, while creating new problems at the same time. In this volume, international media scholars and computer scientists present their projects, varying from powerful film-historical databases to automatic video analysis software, discussing their application of digital tools and reporting on their results. This book is the first publication of its kind and a helpful guide to both media scholars and computer scientists who intend to use digital tools in their research, providing information on applications, standards, and problems.en
dc.description.tableofcontents<ul> <li><a href='http://dx.doi.org/10.25969/mediarep/2520'>Michael Ross et al.: <i>Introduction</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2522'>Louis Pelletier, Pierre Véronneau: <i>Databases for Early Cinema Research</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2533'>Harry van Vliet et al.: <i>Culture in Context. Contextualization of Cultural Events</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2536'>John Sedgwick: <i>Measuring Film Popularity. Principles and Applications</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2540'>Jaap Boter, Clara Pafort-Overduin: <i>Compartmentalisation and its Influence on Film Distribution and Exhibition in The Netherlands, 1934-1936</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2541'>Deb Verhoeven et al.: <i>Mapping the Movies. Reflections on the Use of Geospatial Technologies for Historical Cinema Audience Research</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2542'>Michael Ross et al.: <i>Putting Itinerant Cinemas on the Map</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2558'>Yuri Tsivian: <i>Cinemetrics, Part of the Humanities’ Cyberinfrastructure</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2559'>Ralph Ewerth et al.: <i>Videana: A Software Toolkit for Scientific Film Studies</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2561'>Vera Kropf et al.: <i>First Steps Towards Digital Formalism: The Vienna Vertov Collection</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2557'>Warren Buckland: <i>Ghost Director. Did Hooper or Spielberg Direct POLTERGEIST?</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2572'>Christoph Brachmann: <i>Automatic Movie Trailer Generation Based on Semantic Video Patterns. A New Concept to Index, Manage and Present Films, Their Content and Context</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2574'>Leonardo Boccia, Peter Ludes: <i>Key Measures and Key Visuals in Brazilian and German TV Annual Reviews</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2576'>Margret Schild: <i>Text-Based Film Retrieval 2006. A New Concept to Index, Manage and Present Films, Their Content and Context</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2578'>Rolf Kloepfer: <i>How to Capture Offers of Filmic Effectiveness. AKIRA III as an Aid</i></a></li> </ul>
dc.identifier.doi10.25969/mediarep/1556
dc.identifier.doi10.14361/9783839410233
dc.identifier.isbnisbn:978-3-8394-1023-3
dc.identifier.urihttps://mediarep.org/handle/doc/2106
dc.languageeng
dc.publishertranscript
dc.publisher.placeBielefeld
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2520
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2522
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2533
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dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2540
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2541
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2542
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2558
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2559
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2561
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2557
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2572
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dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2576
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2578
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0
dc.subjectdatabaseen
dc.subjectDigital Humanitiesen
dc.subjectdigital mediaen
dc.subjectmethoden
dc.subjectmovieen
dc.subjectvideo analysisen
dc.subject.ddcddc:770
dc.titleDigital Tools in Media Studies. Analysis and Research. An Overviewen
dc.typebook
dc.type.statuspublishedVersion
dcterms.bibliographicCitationRoss, Michael; Grauer, Manfred; Freisleben, Bernd (Hg.) (2009): Digital Tools in Media Studies. Analysis and Research. An Overview. Bielefeld: transcript (Medienumbrüche, 27). DOI: http://dx.doi.org/10.25969/mediarep/1556.
dspace.entity.typeMiscen
local.coverpage2021-05-29T01:30:33
local.identifier.firstpublishedhttps://doi.org/10.14361/9783839410233

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