Miscellany:
30 Years After Les Immatériaux. Art, Science and Theory

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dc.contributor.editorHui, Yuk
dc.contributor.editorBroeckmann, Andreas
dc.date.accessioned2018-09-25T12:51:20Z
dc.date.available2018-09-25T12:51:20Z
dc.date.issued2015
dc.description.abstractIn 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years.en
dc.description.tableofcontents<ul> <li><a href='http://dx.doi.org/10.25969/mediarep/982'>Yuk Hui and Andreas Broeckmann: <i>Introduction</i></a></li> </ul> <h4>Part I: Document</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/955'>Jean-François Lyotard: <i>After Six Months of Work… (1984)</i></a></li> </ul> <h4>Part II: Art</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/981'>Antony Hudek: <i>From Over to Sub-Exposure. The Anamnesis of Les Immatériaux</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/986'>Jean-Louis Boissier and Andreas Broeckmann: <i>The Production of Les Immatériaux. Jean-Louis Boissier in conversation with Andreas Broeckmann</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/873'>Jean-Louis Boissier: <i>The Bus of Les Immatériaux</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/877'>Francesca Gallo: <i>Contemporary Art as “Immatériaux”. Yesterday and Today</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/887'>Thierry Dufrêne: <i>Les Immatériaux. An “Immodern” Project</i></a></li> </ul> <h4>Part III: Theory</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/892'>Bernard Stiegler: <i>The Shadow of the Sublime. On Les Immatériaux</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/914'>Anne Elisabeth Sejten: <i>Exhibiting and Thinking. An Anamnesis of the Postmodern</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/920'>Yuk Hui: <i>Anamnesis and Re-Orientation</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/924'>Charlie Gere: <i>The Silence of God</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/944'>Robin Mackay: <i>Immaterials, Exhibition, Acceleration</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/950'>Daniel Birnbaum and Sven-Olov Wallenstein: <i>From Immaterials to Resistance. The Other Side of Les Immatériaux</i></a></li> </ul>
dc.identifier.doi10.14619/002
dc.identifier.doi10.25969/mediarep/620
dc.identifier.isbnisbn:978-3-95796-031-3
dc.identifier.urihttps://mediarep.org/handle/doc/2775
dc.languageeng
dc.publishermeson press
dc.publisher.placeLüneburg
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/982
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/955
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/981
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/986
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/873
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/877
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/887
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/892
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/914
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/920
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/924
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/944
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/950
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectKommunikationde
dc.subjectKunstde
dc.subjectKunstausstellungde
dc.subjectJean-François Lyotardde
dc.subjectPostmodernede
dc.subject.ddcddc:100
dc.title30 Years After Les Immatériaux. Art, Science and Theoryen
dc.typebook
dc.type.statuspublishedVersion
dcterms.bibliographicCitationHui, Yuk; Broeckmann, Andreas (Hg.) (2015): 30 Years After Les Immatériaux. Art, Science and Theory. Lüneburg: meson press. DOI: http://dx.doi.org/10.25969/mediarep/620.
dspace.entity.typeMiscen
local.coverpage2021-05-29T01:31:15
local.identifier.firstpublishedhttps://doi.org/10.14619/002
local.subject.gndhttps://d-nb.info/gnd/5083038-7
local.subject.gndhttps://d-nb.info/gnd/118575589
local.subject.wikidatahttps://www.wikidata.org/wiki/Q3233296
local.subject.wikidatahttps://www.wikidata.org/wiki/Q193257

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