Miscellany:
Performing the Digital. Performativity and Performance Studies in Digital Cultures

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dc.contributor.editorLeeker, Martina
dc.contributor.editorSchipper, Imanuel
dc.contributor.editorBeyes, Timon
dc.date.accessioned2018-09-24T13:25:27Z
dc.date.available2018-09-24T13:25:27Z
dc.date.issued2017
dc.description.abstractHow is performativity shaped by digital technologies – and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique.en
dc.description.tableofcontents<ul> <li><a href='http://dx.doi.org/10.25969/mediarep/2075'>Martina Leeker et al.: <i>Performativity, performance studies and digital cultures</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2076'>Martina Leeker: <i>Performing (the) digital. Positions of critique in digital cultures</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2079'>Scott deLahunta and Florian Jenett: <i>Making digital choreographic objects interrelate. A focus on coding practices</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2104'>Marie-Luise Angerer: <i>Speculation about 1:0. On the productive difference of the interval</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2106'>Ann-Christina Lange: <i>The noisy motions of instruments. The performative space of high-frequency trading</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2108'>Susan Kozel: <i>Performing encryption</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2129'>Oliver Leistert: <i>Mobile phone signals and protest crowds. Performing an unstable post-media constellation</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2130'>Sigrid Merx: <i>Mapping invisibility. Surveillance art and the potential of performative cartography</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2131'>Margarete Jahrmann: <i>The big urban game, re-play and full city tags. Art game conceptions in activism and performance</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2133'>Imanuel Schipper: <i>From flâneur to co-producer. The performative spectator</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2135'>Melanie Mohren and Bernhard Herbordt: <i>Performing institutions. A catalogue of performative practices</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2158'>Timon Beyes: <i>‘The machine could swallow everything’. Satin Island and performing organization</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2160'>Jens Schröter: <i>Performing the economy, digital media and crisis. A critique of Michel Callon</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/2167'>Jon McKenzie: <i>Performance and democratizing digitality. StudioLab as critical design pedagogy</i></a></li> </ul>
dc.identifier.doi10.25969/mediarep/1159
dc.identifier.doi10.14361/9783839433553
dc.identifier.isbnisbn:978-3-8394-3355-3
dc.identifier.urihttps://mediarep.org/handle/doc/2050
dc.languageeng
dc.publishertranscript
dc.publisher.placeBielefeld
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2075
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2076
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2079
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2104
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2106
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2108
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2129
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2130
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2131
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2133
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2135
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2158
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2160
dc.relation.hasPartdoi:http://dx.doi.org/10.25969/mediarep/2167
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0
dc.subjectbodyen
dc.subjectcultural theoryen
dc.subjectcultureen
dc.subjectdigital mediaen
dc.subjectmedia theoryen
dc.subjectPerformance Studiesen
dc.subjectperforming artsen
dc.subjecttechnologyen
dc.subject.ddcddc:300
dc.titlePerforming the Digital. Performativity and Performance Studies in Digital Culturesen
dc.typebook
dc.type.statuspublishedVersion
dcterms.bibliographicCitationLeeker, Martina; Schipper, Imanuel; Beyes, Timon (Hg.) (2017): Performing the Digital. Performativity and Performance Studies in Digital Cultures. Bielefeld: transcript (Digitale Gesellschaft, 11). DOI: http://dx.doi.org/10.25969/mediarep/1159.
dspace.entity.typeMiscen
local.coverpage2021-05-29T01:32:18
local.identifier.firstpublishedhttps://doi.org/10.14361/9783839433553

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