Miscellany:
Technē/Technology. Researching Cinema and Media Technologies ­– Their Development, Use, and Impact

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dc.contributor.editorvan den Oever, Annie
dc.date.accessioned2020-04-24T14:53:06Z
dc.date.available2020-04-24T14:53:06Z
dc.date.issued2014
dc.description.abstractThis fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.en
dc.description.tableofcontents<ul> <li><a href='https://doi.org/10.25969/mediarep/13683'>Annie van den Oever: <i>Introduction: Researching Cinema and Media Technologies</i></a></li> </ul> <h4>Part I: Philosophy of Technology: Reassessing Key Questions</h4> <ul> <li><a href='https://doi.org/10.25969/mediarep/13684'>Dominique Chateau: <i>The Philosophy of Technology in the Frame of Film Theory: Walter Benjamin’s Contribution</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13695'>Benoît Turquety: <i>Toward an Archaeology of the Cinema/Technology Relation: From Mechanization to “Digital Cinema”</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13698'>Robert Sinnerbrink: <i>Technē and Poiēsis: On Heidegger and Film Theory</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13699'>Patrick Crogan: <i>Stiegler’s Post-Phenomenological Account of Mediated Experience</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13700'>Lambert Wiesing: <i>What Are Media?</i></a></li> </ul> <h4>Part II: Cinema and Media Technologies: Hardware, Software, Wetware</h4> <ul> <li><a href='https://doi.org/10.25969/mediarep/13701'>Annemone Ligensa: <i>The “History of Vision”-Debate Revisited</i></a></li> <li><a href=' https://doi.org/10.25969/mediarep/13702'>Ian Christie: <i>Will the 3D Revolution Happen? A Brief Perspective on the Long History of Stereoscopy (with special thanks to Eisenstein and Bazin)</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13703'>Markus Stauff: <i>Television’s Many Technologies: Domesticity, Governmentality, Genealogy</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13704'>Laurent Jullier: <i>Postmodern Hi-fi vs. Post-Cool Lo-fi: An Epistemological War</i></a></li> </ul> <h4>Part III: Cinema and Media Technologies: A Historical Context</h4> <ul> <li><a href='https://doi.org/10.25969/mediarep/13685'>Pasi Väliaho: <i>Marey’s Gun: Apparatuses of Capture and the Operational Image</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13686'>Malte Hagener: <i>Re-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13687'>Francesco Pitassio: <i>Technophobia and Italian Film Theory in the Interwar Period</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13688'>Céline Scemama: <i>Jean-Luc Godard’s HISTOIRE(S) DU CINÉMA: Cogito Ergo Video</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13689'>Nanna Verhoeff and Heidi Rae Cooley: <i>Performativity/Expressivity: The Mobile Micro Screen and Its Subject</i></a></li> </ul> <h4>Part IV: Discussions: Revisiting the Past</h4> <ul> <li><a href='https://doi.org/10.25969/mediarep/13690'>Geoffrey Winthrop-Young and Annie van den Oever: <i>Rethinking the Materiality of Technical Media: Friedrich Kittler, Enfant Terrible with a Rejuvenating Effect on Parental Discipline – A Dialogue</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13691'>Martin Lefebvre and Annie van den Oever: <i>Revisiting Christian Metz’s “Apparatus Theory” – A Dialogue</i></a></li> </ul> <h4>Part V: Envisioning the Future</h4> <ul> <li><a href='https://doi.org/10.25969/mediarep/13692'>André Gaudreault: <i>The Future History of a Vanishing Medium</i></a></li> <li><a href='https://doi.org/10.25969/mediarep/13693'>Andreas Fickers and Annie van den Oever: <i>Experimental Media Archaeology: A Plea for New Directions</i></a></li> </ul>
dc.identifier.doi10.26530/OAPEN_607770
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/13709
dc.identifier.isbnisbn:9789089645715
dc.identifier.urihttps://mediarep.org/handle/doc/14641
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectFilmde
dc.subjectMedientheoriede
dc.subjectTechnologiede
dc.subject.ddcddc:791
dc.subject.ddcddc:600
dc.titleTechnē/Technology. Researching Cinema and Media Technologies ­– Their Development, Use, and Impacten
dc.typebook
dc.type.statuspublishedVersion
dspace.entity.typeMiscen
local.coverpage2021-05-29T01:33:13
local.identifier.firstpublishedhttps://doi.org/10.26530/OAPEN_607770

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