Miscellany:
Video Vortex Reader #3. Inside the YouTube Decade

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dc.contributor.editorLovink, Geert
dc.contributor.editorTreske, Andreas
dc.date.accessioned2023-02-17T10:54:25Z
dc.date.available2023-02-17T10:54:25Z
dc.date.issued2020
dc.description.abstractWhat is online video today, fifteen years into its exponential growth? What started with amateur work of YouTube prosumers has spread to virtually all communication apps: an explosion in the culture of mobile sound and vision. Now, in the age of the smart phone, video accompanies, informs, moves, and distracts us. Are you addicted yet? Look into that tiny camera, talk, move the phone, show us around — prove to others that you exist! Founded in 2007, Video Vortex is a lively network of artists, activists, coders, curators, critics, and researchers linked by the exchange of ideas, materials, and discussions both online and offline. Video Vortex has produced two an- thologies, a website, a mailing list, 12 international conferences, several art exhibitions, and more to come as the internet and video continue to merge and miniaturize. The first Video Vortex reader came out in 2008, followed by a second in 2011. This third anthology covers the turbulent period from Video Vortex #7 (2013) in Yogyakarta, across the meetings that followed in Zagreb, Lüneburg, Istanbul, Kochi, and finally Malta in 2019, where the foundations for this publication where laid before its production began in the midst of the corona crisis. The contributions herein respond to a broad range of emerging and urgent topics, from bias in YouTube’s algorithms, to the use of video in messaging, image theory, the rise of deepfakes, a reconsideration of the history of video art, a reflection on the continuing role and influence of music video, indy servers, synthetic intimacies, love and sadness, artist videos, online video theory in the age of platform capitalism, video as online activism, and the rise of streaming. Click, browse, swipe, like, share, save, and enjoy!en
dc.description.tableofcontents<h4>INTRODUCTION</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=10'>Geert Lovink and Andreas Treske: <i>Introduction</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=22'>Geert Lovink and Sabine Niederer: <i>Video Vortex and the Promise and Perils of Online Video Art</i></a></li> </ul> <h4>IMAGE THEORY</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=33'>Rahee Punyashloka: <i>Notes toward a General Infinity of Digital Images</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=44'>Colette Tron: <i>The Objectives of Digital images and film In times of AI, automation, calculation, and (hyper)control</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=53'>Patricia G. Lange: <i>Algorhythmia</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=63'>Dan Oki (Slobodan Jokić): <i>The Absence of Telepresence</i></a></li> </ul> <h4>ONLINE AESTHETICS</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=72'>Albert Figurt: <i>The Self-Splintering Evolution of Music Videos in the Era of Digital (DIY) Audio/Visual Streams</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=99'>Ana Peraica: <i>From Sociocentric to Egocentric Place - From Panorama to 360° Video</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=106'>Interview with Ben Grosser by Geert Lovink: <i>Video Avant-Garde in the Age of Platform Capitalism</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=120'>Andreas Treske and Aras Ozgun: <i>Narrative Platforms: Towards a Morphology of New Audience Activities and Narrative Forms</i></a></li> </ul> <h4>BEYOND VIDEO ART</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=135'>Ina Blom: <i>Inside Equipment (Studio Practice)</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=169'>Geert Lovink: <i>Interview with Natalie Bookchin</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=177'>Geert Lovink: <i>Interview with Judit Kis</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=187'>Daniel Pinheiro and Annie Abrahams: <i>Distant Feeling(s)</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=195'>Florian Schneider: <i>10 Working Points for Artists in a Society After the Spectacle</i></a></li> </ul> <h4>EXPANDED VIDEO</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=204'>Patrick Lichty: <i>Not Really Like Being There: Veracity and the Image in the Age of Deepfakes</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=218'>Gabriel Menotti: <i>Horror Stories and Face Filters: the Second-Person Drama of Hyperephemeral Video</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=227'>Dino Ge Zhang: <i>Televisuality of Live Streaming Video</i></a></li> </ul> <h4>CONTEMPORARY CASE STUDIES</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=246'>Hang Li: <i>If There Still is a Point to Curating on Social Media, What Is It?</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=260'>Peter Snowdon: <i>Playing the Revolution</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=269'>Adnan Hadzi, Oliver Lerone Schultz and Pablo deSoto: <i>Referentiality: Video Book Case Study</i></a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20455/INC-Reader_14_Lovink-Treske_2020_Video-Vortex_.pdf#page=276'>Andreas Treske: <i>Video Vortex #10 Istanbul LOG</i></a></li>
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19280
dc.identifier.isbnisbn:978-94-92302-60-1
dc.identifier.urihttps://networkcultures.org/blog/publication/video-vortex-reader-iii-inside-the-youtube-decade/
dc.identifier.urihttps://mediarep.org/handle/doc/20455
dc.languageeng
dc.publisherInstitute of Network Cultures
dc.publisher.placeAmsterdam
dc.rightsCreative Commons Attribution Non Commercial Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0
dc.subjectOnline Videoen
dc.subjectYouTubeen
dc.subjectCriticismen
dc.subjectPlatformen
dc.subjectInterneten
dc.subject.ddcddc:300
dc.titleVideo Vortex Reader #3. Inside the YouTube Decadeen
dc.typebook
dc.type.statuspublishedVersion
dspace.entity.typeMiscen
local.academicbookseriesINC Readers
local.coverpage2023-02-17T13:57:09
local.identifier.firstpublishedhttps://networkcultures.org/blog/publication/video-vortex-reader-iii-inside-the-youtube-decade/
local.source.volume14

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