Miscellany:
Spaces. Exploring Spatial Experiences of Representation and Reception in Screen Media

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dc.contributor.editorChristie, Ian
dc.date.accessioned2024-05-23T13:50:09Z
dc.date.available2024-05-23T13:50:09Z
dc.date.issued2024
dc.description.abstractFilm has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion and paradox has been greatly expanded – by the predominance of domestic film viewing, along with new extra-terrestrial perspectives, and the promise of novel kinesthetic experiences with Virtual Reality and “immersion”. The international authors in this collection address the history and aesthetics of screen media as spatial transposition, in a range of exemplary analyses that run from the landscapes of John Ford’s westerns to Chantal Akerman’s claustrophobic domestic spaces, from the conventions of the English country house film to Patrick Keiller’s Robinson roaming a changed country, and from the experiences of Covid pandemic confinement to those of un-homed van-dwellers in Chloe Zhao’s award-winning NOMADLAND.en
dc.identifier.doi10.5117/9789048563265
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/22092
dc.identifier.isbnisbn:9789048563272
dc.identifier.urihttps://www.aup.nl/en/book/9789048563272/spaces
dc.identifier.urihttps://mediarep.org/handle/doc/23458
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.rightsCreative Commons Attribution Non Commercial 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0
dc.subjectSpacial Arten
dc.subjectScreen Mediaen
dc.subjectVirtual Realityen
dc.subjectFilm Viewingen
dc.subjectTemporal Arten
dc.subject.ddcddc:791
dc.titleSpaces. Exploring Spatial Experiences of Representation and Reception in Screen Mediaen
dc.typebook
dc.type.statuspublishedVersion
dspace.entity.typeMisc
local.academicbookseriesThe Key Debates: Mutations and Appropriations in European Film Studies
local.coverpage2024-05-24T02:42:16
local.identifier.firstpublishedhttps://www.aup.nl/en/book/9789048563272/spaces
local.source.volume9

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