Review:
Janet Harbord: Ex-centric Cinema: Giorgio Agamben and Film Archeology

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dc.creatorFrahm, Ole
dc.date.accessioned2019-08-20T12:31:04Z
dc.date.available2019-08-20T12:31:04Z
dc.date.issued2019
dc.identifier.doi10.17192/ep2019.2.8142
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/4307
dc.identifier.urihttps://mediarep.org/handle/doc/5214
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2196-4270
dc.relation.ispartofseriesMEDIENwissenschaft: Rezensionen | Reviews
dc.rightsCreative Commons Attribution 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/3.0
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.subject.personGiorgio Agamben
dc.titleJanet Harbord: Ex-centric Cinema: Giorgio Agamben and Film Archeologyde
dc.typereview
dc.type.statuspublishedVersion
dcterms.bibliographicCitationOle Frahm: Janet Harbord: Ex-centric Cinema: Giorgio Agamben and Film Archeology. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 36 (2019) Nr. 2, S. 188–189.
dspace.entity.typeReviewen
local.coverpage2021-01-25T05:24:54
local.source.epage189
local.source.issue2
local.source.spage188
local.source.volume36
local.subject.gndhttps://d-nb.info/gnd/119293439
local.subject.wikidatahttps://www.wikidata.org/wiki/Q311687

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