Review:
Bernard McCarron: The Paradigm Case: The Cinema of Hitchcock and the Contemporary Visual Arts

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dc.creatorRojas, Maribel Cedeño
dc.date.accessioned2019-08-23T13:49:11Z
dc.date.available2019-08-23T13:49:11Z
dc.date.issued2017
dc.identifier.doi10.17192/ep2017.1.6578
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/4532
dc.identifier.urihttps://mediarep.org/handle/doc/5441
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2196-4270
dc.relation.ispartofseriesMEDIENwissenschaft: Rezensionen | Reviews
dc.rightsCreative Commons Attribution 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/3.0
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.subject.personAlfred Hitchcock
dc.titleBernard McCarron: The Paradigm Case: The Cinema of Hitchcock and the Contemporary Visual Artsde
dc.typereview
dc.type.statuspublishedVersion
dcterms.bibliographicCitationRojas, Maribel Cedeño: Bernard McCarron: The Paradigm Case: The Cinema of Hitchcock and the Contemporary Visual Arts. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 34 (2017) Nr. 1, S. 114
dspace.entity.typeReviewen
local.coverpage2021-01-25T04:50:18
local.source.issue1
local.source.spage114
local.source.volume34
local.subject.gndhttps://d-nb.info/gnd/118551647
local.subject.wikidatahttps://www.wikidata.org/wiki/Q7374

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