Review:
Film Festival Review. Venice Film Festival 2022. There Is No Alternative to Family

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dc.creatorPezzoli-Olgiati, Daria
dc.date.accessioned2023-05-31T15:21:15Z
dc.date.available2023-05-31T15:21:15Z
dc.date.issued2023
dc.identifier.doi10.25364/05.9:2023.1.11
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19638
dc.identifier.urihttps://www.jrfm.eu/index.php/ojs_jrfm/article/view/366
dc.identifier.urihttps://mediarep.org/handle/doc/20844
dc.languageeng
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2617-3697
dc.relation.ispartofseriesJournal for Religion, Film and Media
dc.rightsCreative Commons Attribution Non Commercial Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0
dc.subjectVeniceen
dc.subjectFilmen
dc.subjectFestivalen
dc.subject.ddcddc:700
dc.titleFilm Festival Review. Venice Film Festival 2022. There Is No Alternative to Familyen
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2023-05-31T17:51:44
local.identifier.firstpublishedhttps://www.jrfm.eu/index.php/ojs_jrfm/article/view/366
local.source.epage197
local.source.issue1
local.source.issueTitleParadise Lost: Presentation of Nostalgic Longing in Digital Games
local.source.spage189
local.source.volume9

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