Review:
Andrea Amort: Hanna Berger. Spuren einer Tänzerin im Widerstand

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dc.creatorEnzelberger, Genia
dc.date.accessioned2021-04-16T11:41:17Z
dc.date.available2021-04-16T11:41:17Z
dc.date.issued2011
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15692
dc.identifier.urihttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/r200
dc.identifier.urihttps://mediarep.org/handle/doc/16519
dc.languagedeu
dc.publisherInstitut für Theater-, Film- und Medienwissenschaft an der Universität Wien
dc.publisher.placeWien
dc.relation.isPartOfissn:2072-2869
dc.relation.ispartofseries[rezens.tfm]
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectTheater
dc.subject.ddcddc:792
dc.subject.personHanna Berger
dc.titleAndrea Amort: Hanna Berger. Spuren einer Tänzerin im Widerstandde
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2021-05-29T01:59:29
local.identifier.firstpublishedhttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/r200
local.source.issue1
local.subject.gndhttps://d-nb.info/gnd/142420034
local.subject.wikidatahttps://www.wikidata.org/wiki/Q87735

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