Review:
Daniel Mourenza: Walter Benjamin and the Aesthetics of Film.

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dc.creatorGönitzer, Daniel
dc.date.accessioned2021-12-13T19:18:05Z
dc.date.available2021-12-13T19:18:05Z
dc.date.issued2021
dc.identifier.doihttps://doi.org/10.25365/rezens-2021-2-09
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/17163
dc.identifier.urihttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/5966
dc.identifier.urihttps://mediarep.org/handle/doc/18081
dc.languagedeu
dc.publisherInstitut für Theater-, Film- und Medienwissenschaft an der Universität Wien
dc.publisher.placeWien
dc.relation.isPartOfissn:2072-2869
dc.relation.ispartofseries[rezens.tfm]
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectFilmde
dc.subjectFilmästhetikde
dc.subject.ddcddc:791
dc.subject.personWalter Benjamin
dc.titleDaniel Mourenza: Walter Benjamin and the Aesthetics of Film.de
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2021-12-13T20:42:03
local.source.issue2
local.subject.gndhttps://d-nb.info/gnd/118509039
local.subject.wikidatahttps://www.wikidata.org/wiki/Q61078

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