Review:
Rayd Khouloki, Der filmische Raum. Konstruktion, Wahrnehmung, Bedeutung

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dc.creatorLetschnig, Melanie
dc.date.accessioned2021-04-16T11:45:31Z
dc.date.available2021-04-16T11:45:31Z
dc.date.issued2009
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15728
dc.identifier.urihttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/r72
dc.identifier.urihttps://mediarep.org/handle/doc/16558
dc.languagedeu
dc.publisherInstitut für Theater-, Film- und Medienwissenschaft an der Universität Wien
dc.publisher.placeWien
dc.relation.isPartOfissn:2072-2869
dc.relation.ispartofseries[rezens.tfm]
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFilm
dc.subject.ddcddc:791
dc.titleRayd Khouloki, Der filmische Raum. Konstruktion, Wahrnehmung, Bedeutungde
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2021-05-29T01:57:43
local.identifier.firstpublishedhttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/r72
local.source.issue2

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