Review: Ivo Blom: Quo vadis?, Cabiria, and the Archaeologists: Early Italian Cinema’s Appropiation of Art and Archaeology
dc.creator | Loiperdinger, Martin | |
dc.date.accessioned | 2024-09-03T12:35:55Z | |
dc.date.available | 2024-09-03T12:35:55Z | |
dc.date.issued | 2024 | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/23079 | |
dc.identifier.uri | https://mediarep.org/handle/doc/24701 | |
dc.language | deu | |
dc.publisher | Schüren | |
dc.publisher.place | Marburg | |
dc.relation.isPartOf | issn:2196-4270 | |
dc.relation.ispartofseries | MEDIENwissenschaft: Rezensionen | Reviews | |
dc.rights.uri | https://creativecommons.org/licenses/by/3.0 | |
dc.subject | Filmgeschichte | de |
dc.subject | Italienisches Kino | de |
dc.subject | Früher Film | de |
dc.subject | Kunstgeschichte | de |
dc.subject.ddc | ddc:791 | |
dc.title | Ivo Blom: Quo vadis?, Cabiria, and the Archaeologists: Early Italian Cinema’s Appropiation of Art and Archaeology | de |
dc.type | review | |
dc.type.status | publishedVersion | |
dspace.entity.type | Review | |
local.coverpage | 2024-09-04T02:50:23 | |
local.source.epage | 450 | |
local.source.issue | 3 | |
local.source.spage | 449 | |
local.source.volume | 41 |
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