Review: Guido Heldt, Tarek Krohn, Peter Moormann, Willem Strank (Hg.): FilmMusik: Musik im Vorspann
dc.creator | Stoppe, Sebastian | |
dc.date.accessioned | 2020-09-23T13:39:10Z | |
dc.date.available | 2020-09-23T13:39:10Z | |
dc.date.issued | 2020 | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/14896 | |
dc.identifier.uri | https://mediarep.org/handle/doc/15884 | |
dc.language | deu | |
dc.relation.isPartOf | issn:2196-4270 | |
dc.relation.ispartofseries | MEDIENwissenschaft: Rezensionen | Reviews | |
dc.rights | Creative Commons Attribution 3.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by/3.0 | |
dc.subject | Feminismus | de |
dc.subject | Psychoanalyse | de |
dc.subject | Filmtheorie | de |
dc.subject | Zuschauer | de |
dc.subject.ddc | ddc:791 | |
dc.subject.ddc | ddc:302.23 | |
dc.title | Guido Heldt, Tarek Krohn, Peter Moormann, Willem Strank (Hg.): FilmMusik: Musik im Vorspann | de |
dc.type | review | |
dc.type.status | publishedVersion | |
dspace.entity.type | Review | en |
local.coverpage | 2021-05-29T04:04:20 | |
local.source.epage | 234 | |
local.source.issue | 2-3 | |
local.source.spage | 233 | |
local.source.volume | 38 | |
person.identifier.orcid | 0000-0002-1854-6250 | |
relation.isAuthorOfReview | 3a4d20c1-9b67-4d30-bc8a-dfc5ee45520b | |
relation.isAuthorOfReview.latestForDiscovery | 3a4d20c1-9b67-4d30-bc8a-dfc5ee45520b |
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