Review:
Axel Bangert: The Nazi Past in Contemporary German Film: Viewing Experiences of Intimacy and Immersion

dc.creatorSchilmann, Anna
dc.date.accessioned2019-08-23T14:10:56Z
dc.date.available2019-08-23T14:10:56Z
dc.date.issued2016
dc.identifier.doi10.17192/ep2016.0.5820
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/4975
dc.identifier.urihttps://mediarep.org/handle/doc/5884
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2196-4270
dc.relation.ispartofseriesMEDIENwissenschaft: Rezensionen | Reviews
dc.rightsCreative Commons Attribution 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/3.0
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleAxel Bangert: The Nazi Past in Contemporary German Film: Viewing Experiences of Intimacy and Immersionde
dc.typereview
dc.type.statuspublishedVersion
dcterms.bibliographicCitationSchilmann, Anna: Axel Bangert: The Nazi Past in Contemporary German Film: Viewing Experiences of Intimacy and Immersion. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 33 (Studentische Sonderpublikation 2016), S. 36
dspace.entity.typeReviewen
local.coverpage2021-01-25T04:47:39
local.source.issueSonderpublikation
local.source.spage36
local.source.volume33

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