Review:
Matthew Solomon: Disappearing Tricks. Silent Film, Houdini, and the New Magic of the Twentieth Century

dc.creatorEllis, P. G.
dc.date.accessioned2019-08-26T14:17:26Z
dc.date.available2019-08-26T14:17:26Z
dc.date.issued2011
dc.identifier.doi10.17192/ep2011.1.313
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/5907
dc.identifier.urihttps://mediarep.org/handle/doc/6816
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2196-4270
dc.relation.ispartofseriesMEDIENwissenschaft: Rezensionen | Reviews
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleMatthew Solomon: Disappearing Tricks. Silent Film, Houdini, and the New Magic of the Twentieth Centuryde
dc.typereview
dc.type.statuspublishedVersion
dcterms.bibliographicCitationEllis, P. G.: Matthew Solomon: Disappearing Tricks. Silent Film, Houdini, and the New Magic of the Twentieth Century. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 28 (2011) Nr. 1, S. 115–119
dspace.entity.typeReviewen
local.coverpage2021-01-25T03:43:17
local.source.epage119
local.source.issue1
local.source.spage115
local.source.volume28

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