Review: Tarek Krohn, Guido Heldt, Peter Moormann, Willem Strank (Hg.): Martin Scorsese: Die Musikalität der Bilder
| dc.creator | Efimova, Angelina | |
| dc.date.accessioned | 2019-08-23T13:54:05Z | |
| dc.date.available | 2019-08-23T13:54:05Z | |
| dc.date.issued | 2017 | |
| dc.identifier.doi | 10.17192/ep2017.0.6523 | |
| dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/4733 | |
| dc.identifier.uri | https://mediarep.org/handle/doc/5642 | |
| dc.language | deu | |
| dc.publisher | Schüren | |
| dc.publisher.place | Marburg | |
| dc.relation.isPartOf | issn:2196-4270 | |
| dc.relation.ispartofseries | MEDIENwissenschaft: Rezensionen | Reviews | |
| dc.rights | Creative Commons Attribution 3.0 Generic | |
| dc.rights.uri | https://creativecommons.org/licenses/by/3.0 | |
| dc.subject.ddc | ddc:070 | |
| dc.subject.ddc | ddc:791 | |
| dc.title | Tarek Krohn, Guido Heldt, Peter Moormann, Willem Strank (Hg.): Martin Scorsese: Die Musikalität der Bilder | de |
| dc.type | review | |
| dc.type.status | publishedVersion | |
| dcterms.bibliographicCitation | Efimova, Angelina: Tarek Krohn, Guido Heldt, Peter Moormann, Willem Strank (Hg.): Martin Scorsese: Die Musikalität der Bilder. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 34 (Studentische Sonderpublikation 2017), S. 19 | |
| dspace.entity.type | Review | en |
| local.coverpage | 2021-01-25T05:03:05 | |
| local.source.issue | Sonderpublikation | |
| local.source.spage | 19 | |
| local.source.volume | 34 |
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