Review: Oliver Schmidt: Leben in gestörten Welten. Der filmische Raum in David Lynchs ERASERHEAD, BLUE VELVET, LOST HIGHWAY und INLAND EMPIRE
Abstract
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BibTex
Schäffer, Björn: Oliver Schmidt: Leben in gestörten Welten. Der filmische Raum in David Lynchs ERASERHEAD, BLUE VELVET, LOST HIGHWAY und INLAND EMPIRE. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 26 (2009), Nr. 1, S. 63-64. DOI: http://dx.doi.org/10.25969/mediarep/6102.
@ARTICLE{Schäffer2009,
author = {Schäffer, Björn},
title = {Oliver Schmidt: Leben in gestörten Welten. Der filmische Raum in David Lynchs ERASERHEAD, BLUE VELVET, LOST HIGHWAY und INLAND EMPIRE},
year = 2009,
doi = "\url{http://dx.doi.org/10.25969/mediarep/6102}",
volume = 26,
address = {Marburg},
journal = {MEDIENwissenschaft: Rezensionen | Reviews},
number = 1,
pages = {63--64},
}
author = {Schäffer, Björn},
title = {Oliver Schmidt: Leben in gestörten Welten. Der filmische Raum in David Lynchs ERASERHEAD, BLUE VELVET, LOST HIGHWAY und INLAND EMPIRE},
year = 2009,
doi = "\url{http://dx.doi.org/10.25969/mediarep/6102}",
volume = 26,
address = {Marburg},
journal = {MEDIENwissenschaft: Rezensionen | Reviews},
number = 1,
pages = {63--64},
}
Keywords
The item has been published with the following license: Unter Urheberrechtsschutz