Review:
Shehan Bonatz: Reality perception, identity an violence in American film. A study of David Lynch's Lost Highway and David Cronenberg's eXistenZ

dc.creatorStiglegger, Marcus
dc.date.accessioned2019-08-27T10:33:02Z
dc.date.available2019-08-27T10:33:02Z
dc.date.issued2006
dc.identifier.doi10.17192/ep2006.1.1448
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/6640
dc.identifier.urihttps://mediarep.org/handle/doc/7549
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2196-4270
dc.relation.ispartofseriesMEDIENwissenschaft: Rezensionen | Reviews
dc.rightsIn Copyrighten
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleShehan Bonatz: Reality perception, identity an violence in American film. A study of David Lynch's Lost Highway and David Cronenberg's eXistenZde
dc.typereview
dc.type.statuspublishedVersion
dcterms.bibliographicCitationStiglegger, Marcus: Shehan Bonatz: Reality perception, identity an violence in American film. A study of David Lynch's Lost Highway and David Cronenberg's eXistenZ. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 23 (2006) Nr. 1, S. 57–58
dspace.entity.typeReviewen
local.coverpage2021-01-25T02:56:10
local.source.epage58
local.source.issue1
local.source.spage57
local.source.volume23
relation.isAuthorOfReview953548ea-c109-4d78-8958-1c1e20ee2fdd
relation.isAuthorOfReview.latestForDiscovery953548ea-c109-4d78-8958-1c1e20ee2fdd

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