Review: Shinpei Matsuoka, Haruo Shirane: Embodied Performance: Warriors, Dancers, and the Origins of Noh Theater
dc.creator | Scholz-Cionca, Stanca | |
dc.date.accessioned | 2025-02-27T12:52:02Z | |
dc.date.available | 2025-02-27T12:52:02Z | |
dc.date.issued | 2025 | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/23627 | |
dc.identifier.uri | https://mediarep.org/handle/doc/25434 | |
dc.language | deu | |
dc.publisher | Schüren | |
dc.publisher.place | Marburg | |
dc.relation.isPartOf | issn:2196-4270 | |
dc.relation.ispartofseries | MEDIENwissenschaft: Rezensionen | Reviews | |
dc.rights.uri | https://creativecommons.org/licenses/by/3.0 | |
dc.subject | Noh | de |
dc.subject | Theater | de |
dc.subject | Performative Künste | de |
dc.subject | Sexualität | de |
dc.subject | Japan | de |
dc.subject.ddc | ddc:792 | |
dc.title | Shinpei Matsuoka, Haruo Shirane: Embodied Performance: Warriors, Dancers, and the Origins of Noh Theater | de |
dc.type | review | |
dc.type.status | publishedVersion | |
dspace.entity.type | Review | |
local.coverpage | 2025-02-28T02:38:11 | |
local.source.epage | 77 | |
local.source.issue | 1 | |
local.source.spage | 75 | |
local.source.volume | 42 |
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