Review: Jacques Aumont (Hg.): Moderne? Comment le cinéma est devenu le plus singulier des arts
| dc.creator | Merlin, Dieter | |
| dc.date.accessioned | 2019-08-27T09:51:29Z | |
| dc.date.available | 2019-08-27T09:51:29Z | |
| dc.date.issued | 2009 | |
| dc.identifier.doi | 10.17192/ep2009.1.499 | |
| dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/6093 | |
| dc.identifier.uri | https://mediarep.org/handle/doc/7002 | |
| dc.language | deu | |
| dc.publisher | Schüren | |
| dc.publisher.place | Marburg | |
| dc.relation.isPartOf | issn:2196-4270 | |
| dc.relation.ispartofseries | MEDIENwissenschaft: Rezensionen | Reviews | |
| dc.rights.uri | https://rightsstatements.org/vocab/InC/1.0/ | |
| dc.subject.ddc | ddc:070 | |
| dc.subject.ddc | ddc:791 | |
| dc.title | Jacques Aumont (Hg.): Moderne? Comment le cinéma est devenu le plus singulier des arts | de |
| dc.type | review | |
| dc.type.status | publishedVersion | |
| dcterms.bibliographicCitation | Merlin, Dieter: Jacques Aumont (Hg.): Moderne? Comment le cinéma est devenu le plus singulier des arts. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 26 (2009) Nr. 1, S. 48–49 | |
| dspace.entity.type | Review | en |
| local.coverpage | 2021-01-25T03:23:14 | |
| local.source.epage | 49 | |
| local.source.issue | 1 | |
| local.source.spage | 48 | |
| local.source.volume | 26 |
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