Review:
Jacques Aumont (Hg.): Moderne? Comment le cinéma est devenu le plus singulier des arts

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dc.creatorMerlin, Dieter
dc.date.accessioned2019-08-27T09:51:29Z
dc.date.available2019-08-27T09:51:29Z
dc.date.issued2009
dc.identifier.doi10.17192/ep2009.1.499
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/6093
dc.identifier.urihttps://mediarep.org/handle/doc/7002
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2196-4270
dc.relation.ispartofseriesMEDIENwissenschaft: Rezensionen | Reviews
dc.rightsIn Copyrighten
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleJacques Aumont (Hg.): Moderne? Comment le cinéma est devenu le plus singulier des artsde
dc.typereview
dc.type.statuspublishedVersion
dcterms.bibliographicCitationMerlin, Dieter: Jacques Aumont (Hg.): Moderne? Comment le cinéma est devenu le plus singulier des arts. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 26 (2009) Nr. 1, S. 48–49
dspace.entity.typeReviewen
local.coverpage2021-01-25T03:23:14
local.source.epage49
local.source.issue1
local.source.spage48
local.source.volume26

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