Review:
Guido Kirsten: Découpage. Historische Semantik eines filmästhetischen Begriffs

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dc.creatorKessler, Frank
dc.date.accessioned2023-05-25T11:53:38Z
dc.date.available2023-05-25T11:53:38Z
dc.date.issued2023
dc.identifier.doi10.25365/rezens-2023-1-07
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19569
dc.identifier.urihttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/7911
dc.identifier.urihttps://mediarep.org/handle/doc/20766
dc.languagedeu
dc.publisherInstitut für Theater-, Film- und Medienwissenschaft an der Universität Wien
dc.publisher.placeWien
dc.relation.isPartOfissn:2072-2869
dc.relation.ispartofseries[rezens.tfm]
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectFilmde
dc.subjectDécoupagede
dc.subject.ddcddc:791.44
dc.subject.personGuido Kirsten
dc.titleGuido Kirsten: Découpage. Historische Semantik eines filmästhetischen Begriffsde
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2023-05-25T14:14:04
local.identifier.firstpublishedhttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/7911
local.source.issue1
relation.isAuthorOfReview3a11e58f-cf89-4ff7-b17a-1e5d127853ef
relation.isAuthorOfReview.latestForDiscovery3a11e58f-cf89-4ff7-b17a-1e5d127853ef

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