Review: The future of the screen: Exploring Venice Immersive with Liz Rosenthal and Michel Reilhac
Abstract
Within the Venice Film Festival, a dedicated section for immersive works was introduced in 2016, quickly gaining competitive status alongside traditional cinematic works. Venice Immersive serves as both an exhibition and promotion venue for XR and a forum for discussing pivotal market issues. This interview with the Venice Immersive creators and curators, Liz Rosenthal and Michel Reilhac, delves into the early stages of the section, its objectives, the challenges faced, and the major issues within the immersive works market.
Preferred Citation
BibTex
Boato, Anja: The future of the screen: Exploring Venice Immersive with Liz Rosenthal and Michel Reilhac. In: NECSUS_European Journal of Media Studies, Jg. 13 (2024), Nr. 1, S. 296-307. DOI: http://dx.doi.org/10.25969/mediarep/22816.
@ARTICLE{Boato2024,
 author = {Boato, Anja},
 title = {The future of the screen: Exploring Venice Immersive with Liz Rosenthal and Michel Reilhac},
 year = 2024,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/22816}",
 volume = 13,
 address = {Marburg},
 journal = {NECSUS_European Journal of Media Studies},
 number = 1,
 pages = {296--307},
}
 author = {Boato, Anja},
 title = {The future of the screen: Exploring Venice Immersive with Liz Rosenthal and Michel Reilhac},
 year = 2024,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/22816}",
 volume = 13,
 address = {Marburg},
 journal = {NECSUS_European Journal of Media Studies},
 number = 1,
 pages = {296--307},
}
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