Review: Subjectivity and ostrannenie – Key debates in European film studies
Abstract
Amsterdam University Press recently launched a book series titled The Key Debates: Mutations and Appropriations in European Film Studies. Directed by Ian Christie, Dominique Chateau, and Annie van den Oever, the series aims at focusing on the central issues animating the current theoretical debate within film studies (but with a special emphasis on its relation with digital media in general).
Preferred Citation
BibTex
Bianchi, Pietro: Subjectivity and ostrannenie – Key debates in European film studies. In: NECSUS. European Journal of Media Studies, Jg. 2 (2013), Nr. 1, S. 255-261. DOI: http://dx.doi.org/10.25969/mediarep/15083.
@ARTICLE{Bianchi2013,
author = {Bianchi, Pietro},
title = {Subjectivity and ostrannenie – Key debates in European film studies},
year = 2013,
doi = "\url{http://dx.doi.org/10.25969/mediarep/15083}",
volume = 2,
address = {Amsterdam},
journal = {NECSUS. European Journal of Media Studies},
number = 1,
pages = {255--261},
}
author = {Bianchi, Pietro},
title = {Subjectivity and ostrannenie – Key debates in European film studies},
year = 2013,
doi = "\url{http://dx.doi.org/10.25969/mediarep/15083}",
volume = 2,
address = {Amsterdam},
journal = {NECSUS. European Journal of Media Studies},
number = 1,
pages = {255--261},
}
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