Review:
Subjectivity and ostrannenie – Key debates in European film studies

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dc.creatorBianchi, Pietro
dc.date.accessioned2018-09-26T11:45:10Z
dc.date.available2018-09-26T11:45:10Z
dc.date.issued2013
dc.description.abstractAmsterdam University Press recently launched a book series titled The Key Debates: Mutations and Appropriations in European Film Studies. Directed by Ian Christie, Dominique Chateau, and Annie van den Oever, the series aims at focusing on the central issues animating the current theoretical debate within film studies (but with a special emphasis on its relation with digital media in general).en
dc.identifier.doi10.5117/NECSUS2013.1.BIAN
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15083
dc.identifier.urihttps://www.necsus-ejms.org/test/subjectivity-and-ostrannenie-key-debates-in-european-film-studies/
dc.identifier.urihttps://mediarep.org/handle/doc/3266
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectEuropade
dc.subjectRezensionde
dc.subjectDigitalisierungde
dc.subjectFilmde
dc.subjectDigitaler Filmde
dc.subjectEuropeen
dc.subjectbook reviewen
dc.subjectdigital mediaen
dc.subjectdigital cinemaen
dc.subject.ddcddc:809
dc.titleSubjectivity and ostrannenie – Key debates in European film studiesen
dc.typereview
dc.type.statuspublishedVersion
dcterms.bibliographicCitationBianchi, Pietro (2013): Subjectivity and ostrannenie – Key debates in European film studies. In: NECSUS. European Journal of Media Studies 2 (1), 255–261. DOI: https://doi.org/10.5117/NECSUS2013.1.BIAN.
dspace.entity.typeReviewen
local.coverpage2021-05-29T05:19:19
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2013.1.BIAN
local.source.epage261
local.source.issue1
local.source.spage255
local.source.volume2

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