Review:
Pamela Geldmacher: Re-Writing Avantgarde. Fortschritt, Utopie, Kollektiv und Partizipation in der Performance-Kunst

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dc.creatorFürnkranz, Magdalena
dc.date.accessioned2021-04-16T11:16:05Z
dc.date.available2021-04-16T11:16:05Z
dc.date.issued2017
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15525
dc.identifier.urihttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/r357
dc.identifier.urihttps://mediarep.org/handle/doc/16341
dc.languagedeu
dc.publisherInstitut für Theater-, Film- und Medienwissenschaft an der Universität Wien
dc.publisher.placeWien
dc.relation.isPartOfissn:2072-2869
dc.relation.ispartofseries[rezens.tfm]
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectTheater
dc.subject.ddcddc:792
dc.titlePamela Geldmacher: Re-Writing Avantgarde. Fortschritt, Utopie, Kollektiv und Partizipation in der Performance-Kunstde
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2021-05-29T02:04:37
local.identifier.firstpublishedhttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/r357
local.source.issue1

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