Review: Christian Hadorn: Der Schock des Wirklichen: Wissenschaftsfilm und Pariser Avantgarde
| dc.creator | Lettenewitsch, Natalie | |
| dc.date.accessioned | 2019-08-23T14:08:25Z | |
| dc.date.available | 2019-08-23T14:08:25Z | |
| dc.date.issued | 2016 | |
| dc.identifier.doi | 10.17192/ep2016.2.4984 | |
| dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/4842 | |
| dc.identifier.uri | https://mediarep.org/handle/doc/5751 | |
| dc.language | deu | |
| dc.publisher | Schüren | |
| dc.publisher.place | Marburg | |
| dc.relation.isPartOf | issn:2196-4270 | |
| dc.relation.ispartofseries | MEDIENwissenschaft: Rezensionen | Reviews | |
| dc.rights.uri | https://creativecommons.org/licenses/by/3.0/ | |
| dc.subject | Film | de |
| dc.subject.ddc | ddc:070 | |
| dc.subject.ddc | ddc:791 | |
| dc.title | Christian Hadorn: Der Schock des Wirklichen: Wissenschaftsfilm und Pariser Avantgarde | de |
| dc.type | review | |
| dc.type.status | publishedVersion | |
| dcterms.bibliographicCitation | Lettenewitsch, Natalie: Christian Hadorn: Der Schock des Wirklichen: Wissenschaftsfilm und Pariser Avantgarde. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 33 (2016) Nr. 2, S. 212 | |
| dspace.entity.type | Review | en |
| local.coverpage | 2021-01-25T04:39:01 | |
| local.source.issue | 2 | |
| local.source.spage | 212 | |
| local.source.volume | 33 |
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