Review:
Sarah Ralfs: Theatralität der Existenz. Ethik und Ästhetik bei Christoph Schlingensief

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dc.creatorPogoda, Sarah
dc.date.accessioned2023-05-25T11:53:37Z
dc.date.available2023-05-25T11:53:37Z
dc.date.issued2023
dc.identifier.doi10.25365/rezens-2023-1-04
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19566
dc.identifier.urihttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/7964
dc.identifier.urihttps://mediarep.org/handle/doc/20763
dc.languagedeu
dc.publisherInstitut für Theater-, Film- und Medienwissenschaft an der Universität Wien
dc.publisher.placeWien
dc.relation.isPartOfissn:2072-2869
dc.relation.ispartofseries[rezens.tfm]
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectTheaterde
dc.subjectTheatralitätde
dc.subjectExistenzde
dc.subject.ddcddc:790
dc.subject.personSarah Ralfs
dc.titleSarah Ralfs: Theatralität der Existenz. Ethik und Ästhetik bei Christoph Schlingensiefde
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2023-05-25T14:14:03
local.identifier.firstpublishedhttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/7964
local.source.issue1

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