Review: Susan Lord/María Caridad Cumaná (Hg.): The Cinema of Sara Gómez. Reframing Revolution.
dc.creator | Müller, Jan-Hendrik | |
dc.date.accessioned | 2023-01-26T10:47:42Z | |
dc.date.available | 2023-01-26T10:47:42Z | |
dc.date.issued | 2022 | |
dc.identifier.doi | 10.25365/rezens-2022-2-10 | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/19217 | |
dc.identifier.uri | https://rezenstfm.univie.ac.at/index.php/tfm/article/view/6600 | |
dc.identifier.uri | https://mediarep.org/handle/doc/20389 | |
dc.language | deu | |
dc.publisher | Institut für Theater-, Film- und Medienwissenschaft an der Universität Wien | |
dc.publisher.place | Wien | |
dc.relation.isPartOf | issn:2072-2869 | |
dc.relation.ispartofseries | [rezens.tfm] | |
dc.rights | Creative Commons Attribution Share Alike 4.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by-sa/4.0 | |
dc.subject | Film | de |
dc.subject.ddc | ddc:791 | |
dc.title | Susan Lord/María Caridad Cumaná (Hg.): The Cinema of Sara Gómez. Reframing Revolution. | de |
dc.type | review | |
dc.type.status | publishedVersion | |
dspace.entity.type | Review | en |
local.coverpage | 2023-01-26T12:06:55 | |
local.identifier.firstpublished | https://doi.org/10.25365/rezens-2022-2-10 | |
local.source.issue | 2 |
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