Review: Christof Decker: Die ambivalente Macht des Films. Explorationen des Privaten im amerikanischen Dokumentarfilm
| dc.creator | Horak, Jan-Christopher | |
| dc.date.accessioned | 2019-08-28T15:04:43Z | |
| dc.date.available | 2019-08-28T15:04:43Z | |
| dc.date.issued | 1996 | |
| dc.identifier.doi | 10.17192/ep1996.2.4262 | |
| dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/8813 | |
| dc.identifier.uri | https://mediarep.org/handle/doc/9722 | |
| dc.language | deu | |
| dc.publisher | Schüren | |
| dc.publisher.place | Marburg | |
| dc.relation.isPartOf | issn:2196-4270 | |
| dc.relation.ispartofseries | MEDIENwissenschaft: Rezensionen | Reviews | |
| dc.rights.uri | https://rightsstatements.org/vocab/InC/1.0/ | |
| dc.subject.ddc | ddc:070 | |
| dc.subject.ddc | ddc:791 | |
| dc.title | Christof Decker: Die ambivalente Macht des Films. Explorationen des Privaten im amerikanischen Dokumentarfilm | de |
| dc.type | review | |
| dc.type.status | publishedVersion | |
| dcterms.bibliographicCitation | Horak, Jan-Christopher: Christof Decker: Die ambivalente Macht des Films. Explorationen des Privaten im amerikanischen Dokumentarfilm. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 13 (1996) Nr. 2, S. 197–198 | |
| dspace.entity.type | Review | en |
| local.coverpage | 2021-01-25T01:43:59 | |
| local.source.epage | 198 | |
| local.source.issue | 2 | |
| local.source.spage | 197 | |
| local.source.volume | 13 | |
| relation.isAuthorOfReview | 8b375e59-0cd1-48ed-92c7-2d85759bc599 | |
| relation.isAuthorOfReview.latestForDiscovery | 8b375e59-0cd1-48ed-92c7-2d85759bc599 |
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