Review:
Andreas Killen: Homo Cinematicus: Science, Motion Pictures, and the Making of Modern Germany

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dc.creatorFriedman, Sara
dc.date.accessioned2019-08-20T12:31:01Z
dc.date.available2019-08-20T12:31:01Z
dc.date.issued2019
dc.identifier.doi10.17192/ep2019.2.8125
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/4290
dc.identifier.urihttps://mediarep.org/handle/doc/5197
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2196-4270
dc.relation.ispartofseriesMEDIENwissenschaft: Rezensionen | Reviews
dc.rightsCreative Commons Attribution 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/3.0
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleAndreas Killen: Homo Cinematicus: Science, Motion Pictures, and the Making of Modern Germanyde
dc.typereview
dc.type.statuspublishedVersion
dcterms.bibliographicCitationSara Friedman: Andreas Killen: Homo Cinematicus: Science, Motion Pictures, and the Making of Modern Germany. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 36 (2019) Nr. 2, S. 156–157.
dspace.entity.typeReviewen
local.coverpage2021-01-25T05:23:39
local.source.epage157
local.source.issue2
local.source.spage156
local.source.volume36

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