Review:
Guido Kirsten: Découpage: Historische Semantik eines filmästhetischen Begriffs

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dc.creatorJehle, Martin
dc.date.accessioned2023-03-08T09:04:30Z
dc.date.available2023-03-08T09:04:30Z
dc.date.issued2023
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19324
dc.identifier.urihttps://mediarep.org/handle/doc/20501
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2196-4270
dc.relation.ispartofseriesMEDIENwissenschaft: Rezensionen | Reviews
dc.rightsCreative Commons Attribution 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/3.0
dc.subjectFilmtheoriede
dc.subjectBegriffgeschichtede
dc.subject.ddcddc:791
dc.titleGuido Kirsten: Découpage: Historische Semantik eines filmästhetischen Begriffsde
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2023-03-08T11:10:37
local.source.epage53
local.source.issue1
local.source.spage51
local.source.volume40

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