Review:
Milo Rau/NTGent (Kaatje de Geest, Carmen Hornbostel, Milo Rau) (Hg.): Why Theatre?

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dc.creatorEisele, Theresa
dc.date.accessioned2022-05-20T08:39:30Z
dc.date.available2022-05-20T08:39:30Z
dc.date.issued2022
dc.identifier.doidoi.org/10.25365/rezens-2022-1-04
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18270
dc.identifier.urihttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/7296
dc.identifier.urihttps://mediarep.org/handle/doc/19259
dc.languagedeu
dc.publisherInstitut für Theater-, Film- und Medienwissenschaft an der Universität Wien
dc.publisher.placeWien
dc.relation.isPartOfissn:2072-2869
dc.relation.ispartofseries[rezens.tfm]
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectTheaterde
dc.subject.ddcddc:792
dc.titleMilo Rau/NTGent (Kaatje de Geest, Carmen Hornbostel, Milo Rau) (Hg.): Why Theatre?de
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2022-05-20T11:01:13
local.identifier.firstpublishedhttps://doi.org/10.25365/rezens-2022-1-04
local.source.issue1

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