Review:
Drew Ayers: Spectacular Posthumanism: The Digital Vernacular of Visual Effects

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dc.creatorCurstädt, Lucas
dc.date.accessioned2022-01-12T09:31:04Z
dc.date.available2022-01-12T09:31:04Z
dc.date.issued2021
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/17887
dc.identifier.urihttps://mediarep.org/handle/doc/18867
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2196-4270
dc.relation.ispartofseriesMEDIENwissenschaft: Rezensionen | Reviews
dc.rightsCreative Commons Attribution 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/3.0
dc.subjectPosthumanismusde
dc.subjectFilmtheoriede
dc.subject.ddcddc:791
dc.subject.personGilles Deleuze
dc.titleDrew Ayers: Spectacular Posthumanism: The Digital Vernacular of Visual Effectsde
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2022-01-12T12:04:22
local.source.epage273
local.source.issue3_4
local.source.spage272
local.source.volume38
local.subject.gndhttps://d-nb.info/gnd/118524534
local.subject.wikidatahttps://www.wikidata.org/wiki/Q184226

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