Review:
John S. Nelson: Popular Cinema as Political Theory. Idealism and Realism in Epics, Noirs, and Satires

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dc.creatorDibiasi, Alexander
dc.date.accessioned2021-04-16T11:31:14Z
dc.date.available2021-04-16T11:31:14Z
dc.date.issued2014
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15586
dc.identifier.urihttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/r299
dc.identifier.urihttps://mediarep.org/handle/doc/16407
dc.languagedeu
dc.publisherInstitut für Theater-, Film- und Medienwissenschaft an der Universität Wien
dc.publisher.placeWien
dc.relation.isPartOfissn:2072-2869
dc.relation.ispartofseries[rezens.tfm]
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFilm
dc.subject.ddcddc:791
dc.titleJohn S. Nelson: Popular Cinema as Political Theory. Idealism and Realism in Epics, Noirs, and Satiresde
dc.typereview
dc.type.statuspublishedVersion
dspace.entity.typeReviewen
local.coverpage2021-05-29T02:02:33
local.identifier.firstpublishedhttps://rezenstfm.univie.ac.at/index.php/tfm/article/view/r299
local.source.issue1

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