Gabrys, Jennifer:

Atmospheric Citizens : How to Make Breathable Worlds (29.01.2020)

Ramati, Ido:

Thumbs up: Virtual keyboards, pollical typing, and thumb culture (15.01.2020)

Lehmann, Ann-Sophie:

Coloring Books (27.11.2019)

Yusoff, Kathryn:

Geologies of Race: Unearthing the Ground of the Human (11.11.2019)

Coccia, Emanuele:

Lifestyles: How to do Norms with Images (19.06.2019)

Parikka, Jussi:

Vanishing Counterpoints: On Air, Bees, Spiders, and Other AI (05.06.2019)

Pahl, Katrin:

Self-Grafting: Queer Procreation as a Decolonizing Practice (22.05.2019)

Gumbrecht, Hans Ulrich:

Metabolizing Materialism. Diderot’s Rêve de d’Alembert (15.05.2019)

Cuntz, Michael:

This Year’s Model. Thinking the Reproduction of Obsolescence with Simondon (30.01.2019)

Eakin Moss, Anne:

“Immersive Storytelling” and the Operative Ontology of Soviet Cinema (23.01.2019)

Durham Peters, John:

Front Lines of Community. A Postscript to Hollywood War Cinema (05.12.2018)

Kappelhoff, Hermann:

Front Lines of Community. A Postscript to Hollywood War Cinema (05.12.2018)

Svatoňová, Kateřina:

Film Still vs. Test Shot, or, What Is Hidden in Film and What Is Film Hiding? (28.11.2018)

Durham Peters, John:

Episodes in the Media History of the Weather (27.06.2018)

Parks, Lisa:

Mobile Phone Eavesdropping: Historicizing and Theorizing the Cell Site Simulator. (13.06.2018)

During, Elie:

The Art of Simultaneity (One Century Later) (06.06.2018)

Diekmann, Stefanie:

“A Thing that Connects with the Voices that are Talking”: Marlene by Maximilian Schell (Germany, 1984) (30.05.2018)

Connor, Steven:

Exopistemology: On Knowing Without a Knower (23.05.2018)

Braidotti, Rosi:

Human, Inhuman, Posthuman: Implications for the Academic Humanities (31.01.2018)

Menke, Christoph:

The Standstill of Habit: The Beginning of Liberation (24.01.2018)

Halpern, Orit:

The Smart Mandate (10.01.2018)

Schröter, Jens:

Operative Ontology of the Individual (29.11.2017)

Herzogenrath, Bernd:

Strange Topologics: David Lynch's Lost Highway (22.1.2017)

Holl, Ute:

Operative Ontologies: Notations as Orders of Performance (15.11.2017)

Massumi, Brian:

Theses on the revaluation of value (05.07.2017)

Bennett, Jane:

Position & Disposition (28.06.2017)

Ronell, Avital:

A Prize-Gestell: Hannah Arendt Swallows the Lessing-Preis (14.06.2017)

Pantenburg, Volker:

A Mechanical Virtuoso Performer. Film Projection in White Cube and Black Box (07.06.2017)

Blümle, Claudia:

Showing and Concealing. On the Handling of Pictures Behind Curtains (24.05.2017)

Manning, Erin:

Performances of Neurotypicality, Acts of Neurodiversity (10.05.2017)

Bronfen, Elisabeth:

Averting Tragedy. Shakespeare's Winter's Tale in Conversation with Hitchcock's Vertigo and Fincher's Gone Girl (03.05.2017)

Fômina, Silvia; Schneider, Thomas:

Polyphonies in Space - Diving into Time Pointillismus (07.02.2017)

Borsò, Vittoria:

Aesthetics and Technique of the Event. Towards an Operational Ontology of Life (25.01.2017)

Zischler, Hanns:

Allemagne Année 90 Neuf Zéro (Jean-Luc Godard, F 1991) (18.01.2017)

Blättler, Christine:

Detouring History: Thoughts on Walter Benjamin's Method (11.01.2017)

Zischler, Hanns:

Kleist in Weimar. Eine kommentierte Lesung (14.12.2016)

Mazin, Viktor:

Psychoanalysis and Techne (30.11.2016)

Hediger, Vinzenz:

Flat Ontologies and Relative Natives: Notes on the Cinematic Exploration of Human Behavior (16.11.2016)

Ruda, Frank:

Courage Today (16.11.2016)

Gregory, Stephan:

Compacting and Dividing. The Political Techniques of Class Division (09.11.2016)

Winthrop-Young, Geoffrey; Ernst, Wolfgang; Siegert, Bernhard:

Start Making Sense (02.11.2016)

van den Berg, Karen:

SANAA Architects and the New Idea of the Museum (29.06.2016)

Gitelman, Lisa:

Emoji Dick and the Eponymous Whale (15.06.2016)

te Heesen, Anke:

To Climb into Other People’s Heads – Thomas Kuhn and the History of Science (01.06.2016)

Dryansky, Larisa:

“Beyond Physics”? – Conceptual Art and Science (11.05.2016)

Mattern, Shannon:

Cabinet Logic – A History, Critique, and Consultation on Media Furniture (20.01.2016)

Mavhunga, Clapperton Chakanetsa:

Chimurenga: What Innovation Appears Like from an African Guerrilla War Theater (13.01.2016)

Ziemann, Andreas:

The Brothel Question – A Historical and Sociological Analysis (16.12.2015)

von Herrmann, Hans-Christian:

A Theater of the Scientific Age – Brecht’s Concept of Artistic Modelling (02.12.2015)

Feuer, Jane:

Musical Television – Smash and the Broadway Musical on TV (25.11.2015)

Löffler, Petra:

Appearing, Disappearing, Reappearing – Phantomatic Modes of Production (18.11.2015)

Barlösius, Eva:

Reconceptualizing How Infrastructures Operate (11.11.2015)

Ganz, David:

Excarnation – Inlibration: The Paradox of Treasure Bindings (28.10.2015)

Velminski, Wladimir; Pepperstein, Pavel:

Disappearing Master (08.07.2015)

Rehberg, Karl-Siegbert:

„Kunststaat DDR“ und deutsch-deutscher Bilderstreit nach 1990 (03.07.2015)

Hansen, Mark; Herbrechter, Stefan:

Posthumanism and Media (24.06.2015)

Spigel, Lynn:

TV snapshots - An Archive of Everyday Life (17.06.2015)

Baert, Barbara:

Late Medieval Enclosed Gardens of the Low Countries (13.05.2015)

Tzachili, Xanthippi-Iris:

Textiles and the Creation of Space (21.01.2015)

Schneider, Birgit:

Sound Carpets. Symbolic Relations between Weaving and Music (21.01.2015)

Somaini, Antonio:

Unframing and Reframing the Medium of Color (14.01.2015)

Rudy, Kathryn M.:

Medieval Parchement (03.07.2014)

Farocki, Harun:

Computer Animation Rules (25.06.2014)

Kittler, Wolf:

The Latest Fashion with the Sewing Machine (04.06.2014)

Peers, Glenn:

Restoration, Integrity and Experience: Framing and Suturing Byzantine Art in Museums (28.05.2014)

Ingold, Timothy:

On the Life of Lines (21.05.2014)

Esposito, Elena:

Ratings and Rankings as a Form of Observation (22.01.2014)

Borsò, Vittoria:

“Otherwise than Memorizing”. Contingency, Repetition and the Making of Memory (15.01.2014)

Assmann, Jan:

Exodus and Relevation (08.01.2014)

Omiya, Kanichiro:

Illness and Memory - The Case of Aby Warburg (11.12.2013)

Assmann, Aleida:

On the Blessing and Curse of Topoi (27.11.2013)

Stauff, Markus:

Replay, Highlight, Database: History According to Sports’ Media (13.11.2013)

Gethmann, Daniel:

Structures in Architectonic Model-Making (06.11.2013)

Lundemo, Trond:

Montage as History: Modes and Methods (30.10.2013)

Stingelin, Martin:

On the (A-)Synchronicity of Writing Tools (05.07.2013)

Deuber-Mankowsky, Astrid:

Play and Time (03.07.2013)

Groys, Boris:

Alexandre Kojève: The Sage as Photographer (19.06.2013)

Latour, Bruno; Hennion, Antoine:

L’Ange de l’œuvre. Étienne Souriau, from Aesthetics to an Ontology of Uncertain Beings (12.06.2013)

Blümlinger, Christa:

Synchronization of the Archive and Topology of Film (29.05.2013)

Hennion, Antoine:

Attachment, Agencements: A Pragmatist Inquiry into Things that Matter (22.05.2013)

Schwarte, Ludger:

The Temporal Structure of Pictures (15.05.2013)

Morris, Rosalind:

In the Event of Protest: Mediating Opposition in South Africa (23.01.2013)

Krämer, Sybille:

Planarity and Figuration. Descartes: Epistemology and the Power of the Line (16.01.2013)

Zimmermann, Gerd:

Dreamworks. Architecture and the Digital Image (09.01.2013)

Pichler, Wolfram:

Aesthetics of Simultaneity in Retrospect (05.12.2012)

Elsaesser, Thomas:

Film and Philosophy After Deleuze (28.11.2012)

Alloa, Emmanuel:

The Most Sublime of all Laws. Resurgences of a Kantian Motive in Contemporary Image Politics (14.11.2012)

Altman, Rick:

New Wine in Old Wineskins. The Rise and Fall of Early Sync Sound Systems (07.11.2012)

Weigel, Sigrid:

The Lightning Flash of Knowledge and the Temporality of Images (27.06.2012)

Salter, Chris:

Temporal Affects. Performance, Agency and the Aesthetics of Real Time (06.06.2012)

Caldwell, John:

Real-Time Theorizing by the Para-Industry (16.05.2012)

Casetti, Francesco:

A-Synchronies or How to Produce the Past in a Present Situation (09.05.2012)

Bao, Weihong:

Synchronous Asynchronicity. Intermedial Aesthetics and Colonial Modernity at the Transition to Sound (02.05.2012)

Siegert, Bernhard:

Longitude and Simultaneity in Philosophy, Physics, and Empires (25.04.2012)

Bexte, Peter:

Orte als präpositionale Objekte (25.01.2012)

Dommann, Monika:

Storing Stories. A History of Warehousing (18.01.2012)

Nitsch, Wolfram:

TERRAIN VAGUE. Zur Poetik des städtischen Zwischenraums in der französischen Moderne (11.01.2012)

Chion, Michel:

Visual Toponomy in the Cinema in the Mirror of History. Places Named and Places Shown (07.12.2011)

Rölli, Marc:

"Wir brauchen Gründe, um an diese Welt zu glauben" - zu einer pragmatischen Theorie der Situationen (23.11.2011)

Balke, Friedrich:

Topophilie. Techniken der Lokalisierung und Dynamiken der Delokalisierung bei Bachelard und Kafka (16.11.2011)

Dünne, Jörg:

Die Welt als Skript. Weltumrundungen von Magellan bis Verne. (09.11.2011)

Vogl, Joseph:

Area Panic (13.07.2011)

Larkin, Brian:

Collecting on the Net or the Circumvallation of a Small Virtual Territory (29.06.2011)

Bertho-Lavenir, Catherine:

Collecting on the Net or the Circumvallation of a Small Virtual Territory (15.06.2011)

Siegert, Bernhard:

Pasajeros a Indias - Acts of Writing on the Threshold between the Old World and the New (08.06.2011)

Martin, Reinhold:

Diffuse Illumination: The University as a Technical Medium (01.06.2011)

Henderson, Linda:

Repositioning the Ether in Early 20th-Century Art and Culture (18.05.2011)

Frank, Søren:

Maritime Spaces and Places (11.05.2011)

Pircher, Wolfgang:

The Sites and Courses of Silver (04.05.2011)

Weber, Samuel:

Concentration, Isolation and Clear-Cut Distinctions (27.04.2011)

Rogoff, Irit:

Looking Away – Participating Singularities, Ontological Communities (05.02.2011)

Hörl, Erich:

Ergologische Variationen. Über Arbeit, Wunsch und Technik (26.01.2011)

Menke, Bettine:

Körperzeichen, sakrale Inskriptionen und Allegorien (19.01.2011)

Diers, Michael:

Denkraum Bild oder Kunst als Theorie. Über Ghirlandaios "Portrait eines Alten mit seinem Enkel" (12.01.2011)

Koch, Gertrud:

Filmhandeln - wie? (05.01.2011)

Hauschild, Thomas:

"Santa Claus" & "Weißer Alter". Medien, Rituale und Tauschbeziehungen in Alt-Eurasien und der Postmoderne (08.12.2010)

Schulz, Martin:

Bilderstreit nach der Moderne. Sind Bilder Zeichen oder nur Objekte? (24.11.2010)

Wolf, Herta:

Die Kodierungen der Zeichenmeisterin "Natur" und ihrer Gehilfen (17.11.2010)

Clarke, Bruce:

Embodied Mediation. Semiosis and Cybernetics in AVATAR (03.11.2010)

Wegmann, Nikolaus:

"Die Mauer und die Bücher". Zur Geschichte eines großen Experiments (07.07.2010)

Asendorf, Christoph:

Mies von der Rohes 20. Jahrhundert (30.06.2010)

Hörl, Erich:

"Die künstliche Intelligenz des Sinns". Über Jean-Luc Nancys ontotechnologisches Schöpfungsdenken (23.06.2010)

Böhme, Hartmut:

Trompe-l'œil oder das Zeichenparadox (09.06.2010)

Henderson, Linda:

Signs of the Fourth Dimension in 20th Century Art and Culture (02.06.2010)

Rheinberger, Hans-Jörg:

Von Spuren zu "Daten", von Daten zu "Fakten" (26.05.2010)

Alliez, Eric:

Diagrammatic Regime versus Aesthetic Regime of Contemporary Art. The Case of Ernesto Neto (19.05.2010)

Pister, Patricia:

Signs of Time. Cerebral Metaphysics of the Neuro-Image (12.05.2010)

Rodowick, David:

"A Compass in a Moving World." On Genres and Genealogies of Theory (05.05.2010)

Bystřický, Jiří:

Transparenz und Medialität (03.02.2010)

Geulen, Eva:

Lebend Ding bei Goethe (27.01.2010)

Mersch, Dieter:

Mediale Dinge und ihre ästhetische Reflexion (20.01.2010)

Böhme, Hartmut:

Evidenz im Bild. Van Goghs Schuhe, Heidegger und kein Ende (06.01.2010)

Asendorf, Christoph:

Nuclear City. Formgebung im Atomzeitalter (09.12.2009)

Geimer, Peter:

Faux Terrain. Fragmente einer Kunstgeschichte des Dings (02.12.2009)

Aumont, Jacques:

Verklärte Nacht. Der Himmel, der Schatten und der Film (25.11.2009)

Schneider, Manfred:

Söhne des Zufalls. Schwellfuß und die Schoolshooter (18.11.2009)

Müller, Jürgen:

Caravaggio als Maler des modernen Lebens - "Junge von der Eidechse gebissen" in neuer Deutung (11.11.2009)

Engell, Lorenz:

Regie und Requisit (04.11.2009)

Video: Montage as History: Modes and Methods

Description

Keywords

Video:
Montage as History: Modes and Methods