Provocative Alloys: A Post-Media Anthology
Félix Guattari’s visionary term ‘post-media’, coined in 1990, heralded a break with mass media’s production of conformity and the dawn of a new age of media from below. Understanding how digital convergence was remaking television, film, radio, print and telecommunications into new, hybrid forms, he advocated the production of ‘enunciative assemblages’ that break with the manufacture of normative subjectivities. In this anthology, historical texts are brought together with newly commissioned ones to explore the shifting ideas, speculative horizons and practices associated with post-media. In particular, the book seeks to explore what post-media practice might be in light of the commodification and homogenisation of digital networks in the age of Web 2.0, e-shopping and mass surveillance.
Table Of Contents
- Josephine Berry Slater & Anthony Iles: Provocative Alloys: An Introduction
- Gary Genosko: The Promise of Post-Media
- Félix Guattari: Towards a Post-Media Era
- Howard Slater: Post-Media Operators Sovereign and Vague
- Michael Goddard: Félix and Alice in Wonderland: The Encounter Between Guattari and Berardi and the Post-Media Era
- Adilkno: Theory of the Sovereign Media
- Cadence Kinsey: From Post-Media to Post-Medium: Re-thinking Ontology in Art and Technology
- Alejo Duque et al.: South of Post-Media
- Brian Holmes: Activism and Schizoanalysis: The Articulation of Political Speech
- Clemens Apprich: Remaking Media Practices: From Tactical Media to Post-Media
- Rasa Smite & Raitis Smits: Emerging Techno-Ecological Art Practices: Towards Renewable Futures
Apprich, Clemens; Slater, Josephine Berry; Iles, Anthony u.a. (Hg.): Provocative Alloys: A Post-Media Anthology. London: Mute 2013 (PML Books). DOI: https://doi.org/10.25969/mediarep/14021.
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