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dc.creatorFickers, Andreas
dc.date.accessioned2020-08-13T09:50:32Z
dc.date.available2020-08-13T09:50:32Z
dc.date.issued2012-02-21
dc.identifier.urihttps://mediarep.org/handle/doc/15001
dc.description.abstractThis article argues that the contemporary hype in digitization and dissemination of our cultural heritage – especially of audiovisual sources – is comparable to the boom of critical source editions in the late 19th century. But while the dramatic rise of accessibility to and availability of sources in the 19th century went hand in hand with the development of new scholarly skills of source interpretation and was paralleled by the institutionalization of history as an academic profession, a similar trend of an emerging digital historicism today seems absent. This essay aims at reflecting on the challenges and chances that the discipline of history – and the field of television history in particular – is actually facing. It offers some thoughts and ideas on how the digitization of sources and their online availability affects the established practices of source criticism.en
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectDigital Humanitiesen
dc.subjecthistorical hermeneuticsen
dc.subjectcontextualizationen
dc.subjectdigital historyen
dc.subjectsource critiqueen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleTowards a New Digital Historicism? Doing History in the Age of Abundanceen
dc.typearticle
dc.type.statuspublishedVersion
local.source.spage19
local.source.epage26
local.source.issue1
local.source.volume1
dc.identifier.doi10.18146/2213-0969.2012.jethc004
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14043
dc.relation.isPartOfissn:2213-0969
dc.publisher.placeHilversum
local.coverpage2021-05-29T06:01:51
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2012.jethc004


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