Show simple item record

dc.creatorBourdon, Jérôme
dc.date.accessioned2020-08-24T13:46:12Z
dc.date.available2020-08-24T13:46:12Z
dc.date.issued2018-05-16
dc.identifier.urihttps://mediarep.org/handle/doc/15723
dc.description.abstractThis article analyses the discourses of the end of television in relation to its status as a bad object. It traces the early, transnational, massive negative treatments of television. It suggests four explanations for this: sociological (television as a popular medium), economical (disappointing investment), metapsychological (frustrating experience), technological (insincere dispositif). It suggests that discourses of the end are coming to an end, because television is becoming a kind of archive, increasingly considered nostalgically, while its ‘quality series’ are achieving canonical aesthetic status. Finally, it suggests that discourses of the ends are organized into systems of interdependent ‘good’ and ‘bad’ media.en
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectArchiveen
dc.subjectmedia axiologyen
dc.subjectsociologyen
dc.subjectmetapsychologyen
dc.subjecteconomicsen
dc.subjectTransnational Historyen
dc.subjectNostalgiaen
dc.subjectintellectuals and televisionen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleIs the End of Television Coming to an End?
dc.typearticle
dc.type.statuspublishedVersion
local.source.spage80
local.source.epage95
local.source.issue13
local.source.volume7
dc.identifier.doi10.18146/2213-0969.2018.jethc144
dc.relation.isPartOfissn:2213-0969
dc.publisher.placeHilversum
local.coverpage2020-08-25T00:33:35
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2018.jethc144


Files in this item

Thumbnail
  • 2018 | 13
    The Many Lives of Europe’s Audiovisual Heritage

Show simple item record

Creative Commons - Attribution - Share Alike
Except where otherwise noted, this item's license is described as Creative Commons - Attribution - Share Alike