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dc.creatorGreiner, Rasmus
dc.date.accessioned2020-08-25T12:24:08Z
dc.date.available2020-08-25T12:24:08Z
dc.date.issued2018
dc.identifier.urihttps://film-history.org/approaches/sonic-histospheres
dc.identifier.urihttps://mediarep.org/handle/doc/15796
dc.description.abstractThis article explores the role played by film sound in the audio-visual construction of historical dimensions of experience. This exploration does not treat the auditory level in isolation but considers how it interacts with moving images, montages, aesthetic and narrative concepts within the audio-visual histosphere.en
dc.languageeng
dc.publisherUniversität Bremen
dc.relation.ispartofseriesResearch in Film and History
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectGeschichtede
dc.subjecthistorische Erfahrungde
dc.subjectFilmmusikde
dc.subjectStimmede
dc.subjecthistoryen
dc.subjecthistorical experienceen
dc.subjectfilm musicen
dc.subjectvoiceen
dc.subject.ddcddc:791
dc.titleSonic Histospheres: Sound Design and Historyen
dc.typearticle
dc.type.statuspublishedVersion
local.subject.gndhttps://d-nb.info/gnd/4142780-4
local.subject.gndhttps://d-nb.info/gnd/7703490-9
local.subject.wikidatahttps://www.wikidata.org/wiki/Q182692
local.subject.wikidatahttps://www.wikidata.org/wiki/Q160793
local.source.spage1
local.source.epage34
dc.identifier.doihttps://doi.org/10.26092/elib/101
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14810
dc.subject.workAPOCALYPSE NOW
dc.subject.workTHE KING'S SPEECH
dc.subject.workWALTZ WITH BASHIR
local.source.issueTitleNew Approaches
dc.relation.isPartOfissn:2627-5848
dc.publisher.placeBremen
local.coverpage2021-05-29T05:54:48
local.identifier.firstpublishedhttps://doi.org/10.26092/elib/101


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