2020/2 – #Method
Features
Editorial NECSUS
S. 1-4
A conversation with Henry Jenkins
S. 5-19
Documentary’s longue durée: Beginnings, formations, genealogies
S. 21-50
Adaptive images: Practices and aesthetics of situative digital imaging
S. 51-76
Special section: #Method
Method unchained: To new adventures of ideas
S. 77-91
On #Method: A roundtable with the NECSUS editorial board
S. 93-115
Methods we live by: Proceduralism, process, and pedagogy
S. 117-138
Mistake as method: Towards an epistemology of errors in creative practice and research
S. 139-157
Encounters and affinities: Exchanges through the essay form
S. 159-180
Teaching writing with images: The role of authorship and self-reflexivity in audiovisual essay pedagogy
S. 181-202
Film studies and the experimental method
S. 203-224
Capturing film festival buzz: The methodological dilemma of measuring symbolic value
S. 225-247
Towards an understanding of children’s screen genres in the streaming video era: Reflecting on shifting intersections between digital media and screen studies
S. 249-272
Disciplinary itineraries and digital methods: Examining the Kinomatics collaboration networks
S. 273-298
Festival Reviews | Special Dossier: Covid-19
Film festivals and the first wave of COVID-19: Challenges, opportunities, and reflections on festivals’ relations to crises
S. 299-302
The International Labour Film Festival in Turkey
S. 303-311
Beyond a shadow of a doubt: For the Elche International Independent Film Festival dying is not an option
S. 313-320
San Luis Obispo International Film Festival: The social responsibility of redesigning an American film festival
S. 321-327
SXSW, Amazon, and the difficulty of staging an exclusive event online
S. 329-338
Come together? Curating communal viewing experiences for hybrid and online film festivals
S. 339-347
Story within a story: Vues d’Afrique in the time of COVID-19
S. 349-356
Book Reviews
‘Color Mania’ and ‘Chromatic Modernity’: The polychrome experience of the moving image
S. 357-366
The Queer Fantasies of the American Sitcom / Queering Gender
S. 367-374
The Origins of the Film Star System / George Clooney
S. 375-382
Displacing as a method: On ‘Displacing Caravaggio’ and ‘Dance of Values’
S. 383-398
Exhibition Reviews
The Supermarket of Images: A conversation with curators Peter Szendy, Emmanuel Alloa, and Marta Ponsa
S. 399-411
Mediating climate visualities: Notes on Meteorological Mobilities
S. 413-419
Glitch: Art & Technology: Processing media matter
S. 421-433
Sound and the audiovisual essay, part 1: Dialogue, music, and effects
S. 435-437
Audiovisual Essays
The Elephant Man’s Sound, Tracked
S. 439-443
Talking [Heads] About Whitney
S. 445-448
Beyond the Catchy Tunes: George Bruns and the Craft of Transparent Underscoring
S. 449-451
Sonic Chronicle, Post Sound
S. 453-456