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dc.creatorGreiner, Rasmus
dc.date.accessioned2021-03-04T14:21:49Z
dc.date.available2021-03-04T14:21:49Z
dc.date.issued2021-01-28
dc.identifier.urihttps://film-history.org/issues/text/migrations-media-aesthetics-anachronisms-and-reflexivity-iluminados-por-el-fuego
dc.identifier.urihttps://mediarep.org/handle/doc/16269
dc.description.abstractThis essay explores how representations of war in news and documentary media have migrated into the war film genre, transcending the bounds of historical chronology and allowing the aesthetics of historical media to be transposed into filmic representations of contemporary conflicts.en
dc.languageeng
dc.publisherUniversität Bremen
dc.relation.ispartofseriesResearch in Film and History
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectGeschichtede
dc.subjectÄsthetikde
dc.subjectAnachronismusde
dc.subjectKriegsfilmde
dc.subjectaestheticsen
dc.subjectanachronismen
dc.subjectmigrationen
dc.subjectwaren
dc.subjectexperienceen
dc.subject.ddcddc:791
dc.titleMigrations of Media Aesthetics: Anachronisms and Reflexivity in ILUMINADOS POR EL FUEGOen
dc.typearticle
dc.type.statuspublishedVersion
local.subject.gndhttps://d-nb.info/gnd/4529584-0
local.subject.wikidatahttps://www.wikidata.org/wiki/Q4385210
local.subject.wikidatahttps://www.wikidata.org/wiki/Q165817
local.source.spage1
local.source.epage27
local.source.issue3
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15456
dc.subject.workILUMINADOS POR EL FUEGO
dc.subject.workSAVING PRIVATE RYAN
local.source.issueTitleSources – Meaning – Experience
dc.relation.isPartOfissn:2627-5848
dc.publisher.placeBremen
local.coverpage2021-03-16T13:03:31
local.identifier.firstpublishedhttps://film-history.org/issues/text/migrations-media-aesthetics-anachronisms-and-reflexivity-iluminados-por-el-fuego


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Except where otherwise noted, this item's license is described as Creative Commons - Attribution - Non Commercial - No Derivatives