Article: Eigenbild/Identität. Perspektiven des brasilianischen Kinos
Abstract
The relation between internal and external perception is one of the most inter-esting phenomena at the intersection of Postcolonial Theory and Media Stud-ies. Historic settings such as colonialism have been built upon the fact that certain groups do not own the right to and the control of a specific image production. This text aims to position itself within this context and tries to do so with a focus on Brazilian cinema.
Preferred Citation
BibTex
Rünker, Maximilian: Eigenbild/Identität. Perspektiven des brasilianischen Kinos. In: IMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft, Jg. 17 (2021), Nr. 2, S. 60-72. DOI: http://dx.doi.org/10.25969/mediarep/16324.
@ARTICLE{Rünker2021,
author = {Rünker, Maximilian},
title = {Eigenbild/Identität. Perspektiven des brasilianischen Kinos},
year = 2021,
doi = "\url{http://dx.doi.org/10.25969/mediarep/16324}",
volume = 17,
address = {Köln},
journal = {IMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft},
number = 2,
pages = {60--72},
}
author = {Rünker, Maximilian},
title = {Eigenbild/Identität. Perspektiven des brasilianischen Kinos},
year = 2021,
doi = "\url{http://dx.doi.org/10.25969/mediarep/16324}",
volume = 17,
address = {Köln},
journal = {IMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft},
number = 2,
pages = {60--72},
}
Keywords
The item has been published with the following license: Unter Urheberrechtsschutz