Book: Who Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respect
Abstract
Digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. This volume draws a detailed map of these challenges and offers perspectives for further research and creative practice.
Preferred Citation
BibTex
Lindeperg, Sylvie; Szczepanska, Ania: Who Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respect. Lüneburg: meson press 2021. DOI: http://dx.doi.org/10.25969/mediarep/17193.
@BOOK{Lindeperg2021,
author = {Lindeperg, Sylvie and Szczepanska, Ania},
title = {Who Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respect},
year = 2021,
doi = "\url{http://dx.doi.org/10.25969/mediarep/17193}",
volume = 4,
address = {Lüneburg},
series = {Configurations of Film Series},
publisher = {meson press},
isbn = {Isbn:978-3-95796-014-6},
}
author = {Lindeperg, Sylvie and Szczepanska, Ania},
title = {Who Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respect},
year = 2021,
doi = "\url{http://dx.doi.org/10.25969/mediarep/17193}",
volume = 4,
address = {Lüneburg},
series = {Configurations of Film Series},
publisher = {meson press},
isbn = {Isbn:978-3-95796-014-6},
}
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