2021/2 - #Futures
Editorial NECSUS
S. 1-4
Disaggregation and Reconfiguration
The elusive form of film
S. 5-11
Beyond the crisis of film studies
S. 13-17
There is no such thing as Balkan cinema, and yes, Balkan cinema exists: Ruminations on the past and possible futures of Balkan cinema (and media) studies?
S. 19-26
Still thinking it over: The history of cinema, global industries, and local film cultures, as viewed from Spain
S. 27-31
Praxis and Operativity
A videographic future beyond film
S. 33-39
On the study of games as media
S. 41-48
Film, media, and visual culture studies, and the challenge of machine learning
S. 49-57
Operative Imaginaries
S. 59-65
Labour and Collaboration
‘Work’ and ‘labour’ in film and media studies: Lifepath, introspection, survival
S. 67-73
Ten years of festival reviews: Celebrating a minor academic genre
S. 75-81
Who let the docs out?: Trials, tribulations, and thrills in media studies
S. 83-86
Collaborative futures / Futuros en colaboración
S. 87-92
History is, media studies is
S. 93-97
Ethics and Politics
Ethical imperatives: Reflections on the past and future of media studies
S. 99-104
Green(ing) Media (Studies)
S. 105-112
Postmigrant media futures
S. 113-120
Murky Waters: Submerging in an aesthetics of non-transparency
S. 121-126
For a global approach to audiovisual heritage: A plea for North/South exchange in research and practice
S. 127-133
Endings, beginnings, and transformations
S. 135-140
Ten years of NECSUS: A birthday card
S. 141-144