Book part: Transitivität und immersive Formen des Films. Eine Skizze am Beispiel von INCEPTION
Abstract
The text discusses the logic of transitive inferences as crucial components of ‹immersive› cinematic forms. The theoretical framework is provided by the notion of image schemasin cognitive semantics. A brief discussion of the ‹Container›-schema in Christoph Nolans Inception exemplifies the theoretical approach. Transitive inferences appear to be connected to an implicit knowledge about the reference to a reality ‹outside› immersion.
Preferred Citation
BibTex
Ernst, Christoph: Transitivität und immersive Formen des Films. Eine Skizze am Beispiel von INCEPTION. In: : . Marburg: Schüren 2015, S. 40-52. DOI: http://dx.doi.org/10.25969/mediarep/18164.
@INCOLLECTION{Ernst2015,
author = {Ernst, Christoph},
title = {Transitivität und immersive Formen des Films. Eine Skizze am Beispiel von INCEPTION},
year = 2015,
doi = "\url{http://dx.doi.org/10.25969/mediarep/18164}",
volume = 7,
address = {Marburg},
series = {Jahrbuch immersiver Medien},
pages = {40--52},
publisher = {Schüren},
}
author = {Ernst, Christoph},
title = {Transitivität und immersive Formen des Films. Eine Skizze am Beispiel von INCEPTION},
year = 2015,
doi = "\url{http://dx.doi.org/10.25969/mediarep/18164}",
volume = 7,
address = {Marburg},
series = {Jahrbuch immersiver Medien},
pages = {40--52},
publisher = {Schüren},
}
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