Book part:
Transitivität und immersive Formen des Films. Eine Skizze am Beispiel von INCEPTION

Author(s): Ernst, Christoph

Abstract

The text discusses the logic of transitive inferences as crucial components of ‹immersive› cinematic forms. The theoretical framework is provided by the notion of image schemasin cognitive semantics. A brief discussion of the ‹Container›-schema in Christoph Nolans Inception exemplifies the theoretical approach. Transitive inferences appear to be connected to an implicit knowledge about the reference to a reality ‹outside› immersion.

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BibTex
Ernst, Christoph: Transitivität und immersive Formen des Films. Eine Skizze am Beispiel von INCEPTION. In: : . Marburg: Schüren 2015, S. 40-52. DOI: http://dx.doi.org/10.25969/mediarep/18164.
@INCOLLECTION{Ernst2015,
 author = {Ernst, Christoph},
 title = {Transitivität und immersive Formen des Films. Eine Skizze am Beispiel von INCEPTION},
 year = 2015,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/18164}",
 volume = 7,
 address = {Marburg},
 series = {Jahrbuch immersiver Medien},
 pages = {40--52},
 publisher = {Schüren},
}
Keywords
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