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dc.creatorHagedorn, Lea
dc.date.accessioned2022-05-19T12:01:27Z
dc.date.available2022-05-19T12:01:27Z
dc.date.issued2021
dc.identifier.urihttps://www.sciendo.com/article/10.2478/kwg-2021-0019
dc.identifier.urihttps://mediarep.org/handle/doc/19242
dc.description.abstractWhen the caricature came up in the late 16th century, the notion meant an overloaded or exaggerated – and humorous – kind of portrait. Since then its meaning has changed considerably. Today caricature is understood as a visual equivalent of literary satire. This modern understanding has its origin in the bourgeois culture of the Enlightenment. In my contribution I examine the change in the concept of caricature in Western history. The focus is on the connection between this change in meaning and the constitution of caricature as an image genre. When did caricature acquire the status of a legitimate form of invectivity? Besides caricature, special attention is also paid to parody, because both types of invective communication often overlap.en
dc.languagedeu
dc.publisherDe Gruyter
dc.relation.ispartofseriesKulturwissenschaftliche Zeitschrift
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subjectBildsatirede
dc.subjectParodiede
dc.subjectBilddiskursde
dc.subjectsatirical printsen
dc.subjectparodyen
dc.subjectimage discourseen
dc.subject.ddcddc:300
dc.subject.ddcddc:741.5
dc.titleBrüche einer Gattungsgeschichte. Karikatur zwischen Massani und Sulzerde
dc.typearticle
dc.type.statuspublishedVersion
local.source.spage224
local.source.epage246
local.source.issue1
local.source.volume6
dc.identifier.doi10.2478/kwg-2021-0019
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18254
dc.relation.isPartOfissn:2451-1765
dc.publisher.placeBerlin
local.coverpage2022-05-19T14:25:42


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Except where otherwise noted, this item's license is described as Creative Commons - Attribution - Non Commercial - No Derivatives